http://www.k-lloyd.com/writing daily 0.75 2023-05-28 https://images.squarespace-cdn.com/content/v1/53eff1fbe4b06637680259dc/1662836035719-GLISPTR6KI6J2VAA4M7U/image-asset.jpeg Writing - This Thing We Call Art Season One & Two Essays Essays Available Here https://images.squarespace-cdn.com/content/v1/53eff1fbe4b06637680259dc/1662836035719-GLISPTR6KI6J2VAA4M7U/image-asset.jpeg Writing - This Thing We Call Art Season One & Two Essays Essays Available Here https://images.squarespace-cdn.com/content/v1/53eff1fbe4b06637680259dc/1662834573030-BNLDKXGVWZOZZ5CMO3DU/BookCover+%281%29.jpeg Writing - This Is the End of High Entertainment: Tiny Furniture and This Is the End Screening the Art World Temenuga Trifonova (ed.) Unlike most studies of the relationship between cinema and art, which privilege questions of medium or institutional specificity and intermediality, Screening the Art World explores the ways in which artists and the art world more generally have been represented in cinema. Contributors address a rarely explored subject -art in cinema, rather than the art of cinema - by considering films across genres, historical periods and national cinemas in order to reflect on cinema’s fluctuating imaginary of ‘art’ and ‘the art world’. The book examines the intersection of art history with history in cinema, cinema’s simultaneous affirmation and denigration of the idea of art as ‘truth’ and what this means for cinema’s understanding of itself, the dominant, often contradictory ways in which artists have been represented on screen, and cinematic representations of the art world’s tenuous position between commercial good and cultural capital. Amsterdam University Press, 2022 Book Available Here https://images.squarespace-cdn.com/content/v1/53eff1fbe4b06637680259dc/1662834383451-987RORSMBWINO2XVEYNI/image-asset.jpeg Writing - John Latham's Library Photographer: Athanasios Velios © Flat Time House This publication is a result of a residency undertaken at Flat Time House in the Spring/Summer of 2021 focusing on John Latham’s collection of books. Latham’s library, which includes books intended for the making of artwork as well as for research purposes, has never been catalogued or the subject of sustained investigation. Lloyd has explored the library with particular interest in Latham's personal books vs. books for work, marginalia and other physical interventions. This book contains a speculative library, and reflections on conversations with Flat Time House Director/Curator Gareth Bell-Jones, Noa Latham, son of John Latham and Barbara Steveni and Associate Professor of Philosophy at the University of Calgary, and Lisa Stone, Curator of the Roger Brown Study Collection from 1996–2020. The Just Business Agency Press, 2022 Full Text https://images.squarespace-cdn.com/content/v1/53eff1fbe4b06637680259dc/1662835561507-R7PJ4IHC7DCBF4YPSDA0/social.jpeg Writing - HAIR CLUB: A Case Study for Socially Engaged Art History Suzanne Gold, Kelly Lloyd, Michal Lynn Shumate (HAIR CLUB) Socially Engaged Art History and Beyond: Alternative Approaches to the Theory and Practice of Art History Ed. Cindy Persinger and Azar Rejaie What is socially engaged art history? Art history is typically understood as a discipline in which academics produce scholarship for consumption by other academics. Today however, an increasing number of art historians are seeking to broaden their understanding of art historical praxis and look beyond the academy and towards socially engaged art history. This is the first book-length study to focus on these growing and significant trends. It presents various arguments for the social, pedagogical, and scholarly benefits of alternative, community-engaged, public-facing, applied, and socially engaged art history. The international line up of contributors includes academics, museum and gallery curators as well as arts workers. The first two sections of the book look at socially engaged art history from theoretical, pedagogical, and contextual perspectives. The concluding part offers a range of provocative case studies that highlight the varied and rigorous work that is being done in this area and provide a variety of inspiring models. Taken together the chapters in this book provide much-needed disciplinary recognition to socially engaged art history, while also serving as a springboard to further theoretical and practical work. Palgrave Macmillan, 2021 Text Available Here https://images.squarespace-cdn.com/content/v1/53eff1fbe4b06637680259dc/1662835498885-0LP049BM65VQKUDIBKKH/image-asset.jpeg Writing - "Living Within the Play" Kelly Kaczynski, Kelly Lloyd, Mark Jeffery, Shannon Stratton PUBLIC JOURNAL ISSUE 62: Currencies of Hospitality, 2021 Ed. SYLVIE FORTIN. Hospitality is usually considered a philosophical concept, an ethical concern with juridical implications, a sociopolitical practice … or an industry. This publication shifts the focus to speculate on many of its other (often stealth) manifestations. It mobilizes hospitality—as concept, metaphor, performance, and dissidence—to render its pluripotent agency. Its presence can be detected in practices of walking, gathering, swinging, eating, drinking, playing, partying, and loving. This issue of PUBLIC is also a critical curatorial endeavour that weaves together artists’ projects, fiction, scholarly research, and other indefinable forms to explore some of the unexpected valences of hospitality in modern and contemporary art, cinema, animation, and exhibition making; in architecture, infrastructure, land use, and practices of cohabitation; in kinship and care; and in justice, pedagogy, and reparation. Journal Available Here https://images.squarespace-cdn.com/content/v1/53eff1fbe4b06637680259dc/1662835752697-I12VKW73HNR87K13WHBC/image-asset.jpeg Writing - Fleeting Monuments for the Wall of Respect Ed. Romi Crawford The Wall of Respect, a work of public art created in 1967 at the corner of Forty-third Street and Langley Avenue on Chicago’s South Side, depicted Black leaders in music, literature, politics, theater, and sports. The Wall sparked a nationwide mural movement, provided a platform for community engagement, and was a foundational work of the Black Arts Movement. There is no longer any physical indication of its existence, but it still needs to be remembered. Romi Crawford proposes the concept of “fleeting monuments,” asking a range of artists and writers to realize antiheroic, non static, and impermanent strategies for commemoration. The University of Minnesota Press/Green Lantern Press, 2021 Text Available Here https://images.squarespace-cdn.com/content/v1/53eff1fbe4b06637680259dc/1662834958530-JMICKUNSR325AU7ZMZ9T/image-asset.jpeg Writing - "Katie Sokoler- Your Construction Paper Tears Can't Hide Your Yayoi Kusama Neurotic Underbelly" The Retro-Futurism of Cuteness Ed. Jen Boyle, Wan-Chuan Kao Is it possible to conceive of a Hello Kitty Middle Ages or a Tickle Me Elmo Renaissance? The Oxford English Dictionary dates the first reference to “cute” in the sense of “attractive, pretty, charming” to 1834. More recently, Sianne Ngai has offered a critical overview of the cuteness of the twentieth-century avant-garde within the context of consumer culture. But if cuteness can get under the skin, what kinds of surfaces does it best infiltrate, particularly in the framework of historical forms, events, and objects that traditionally have been read as emergences around “big” aesthetics of formal symmetries, high affects, and resemblances? The Retrofuturism of Cuteness seeks to undo the temporal strictures surrounding aesthetic and affective categories, to displace a strict focus on commodification and cuteness, and to interrogate how cuteness as a minor aesthetics can refocus our perceptions and readings of both premodern and modern media, literature, and culture. Taking seriously the retro and the futuristic temporalities of cuteness, this volume puts in conversation projects that have unearthed remnants of a “cult of cute”—positioned historically and critically in between transitions into secularization, capitalist frameworks of commodification, and the enchantment of objects—and those that have investigated the uncanny haunting of earlier aesthetics in future-oriented modes of cuteness. The Latin acutus, the etymological root of cute, embraces the sharpened, the pointed, the nimble, the discriminating, and the piercing. But as Michael O’Rourke notes, cuteness evokes a proximity that is at once potentially invasive and contaminating and yet softening and transfiguring. Deploying cuteness as a mode of inquiry across time, this volume opens up unexpected lines of inquiry and unusual critical and creative aporias, from Christian asceticism, medieval cycle drama, and Shakespeare to manga, Bollywood, and Second Life. The projects collected here point to a spectrum of aesthetic-affective assemblages related to racial, ethnic, gender, sexual, and class dimensions that exceed or trouble our contemporary perceptions of such registers within object-subject and subject-object entanglements. punctum books, 2017 Text Available Here https://images.squarespace-cdn.com/content/v1/53eff1fbe4b06637680259dc/1662837043929-JYZWAC9001OMSKX68CU5/JohariWindow.jpg Writing - PEOPLE PLAYING THEMSELVES: MY FECIS Visual & Critical Studies Thesis School of the Art Institute of Chicago, 2015 Excerpt https://images.squarespace-cdn.com/content/v1/53eff1fbe4b06637680259dc/1446322766796-DECB5OHIJZKSGQ789TA9/image-asset.jpeg Writing - ...[Insert Your Name Here]: People Playing Themselves 2015 Various States of Thesis Proposal, Ink, Stains, and Wrinkles on Paper h. 11" x w. 8.5" Variable Edition of 10 MPSTN editions https://images.squarespace-cdn.com/content/v1/53eff1fbe4b06637680259dc/1446325255447-92DU9JHYXGD5DEMEPSLD/image-asset.jpeg Writing - Sexy Man Artists (and the Sentimental Drawings they Sexily Draw) 2014-2015 Presented at LIVE TO TAPE ARTIST TELEVISION FESTIVAL (2015), Kavi Gupta Editions (2015) and the Midwest Pop Culture Association Conference (2014). Performance Documentation Here Brief https://images.squarespace-cdn.com/content/v1/53eff1fbe4b06637680259dc/1446322323361-KBNBKZKP4HMCKS1OURMH/image-asset.jpeg Writing - Comedians Playing Themselves 2015 Kyle Schlie, Lt. Paper (Issue #3), 32 pp., edition of 1000 Accompanying LIVE TO TAPE ARTIST TELEVISION FESTIVAL, curated by Jesse Malmed, Links Hall Essay https://images.squarespace-cdn.com/content/v1/53eff1fbe4b06637680259dc/1631869305998-DJ125CB5BOA4JO1L3CS9/FTHoImage.jpg Writing - John Latham's Library This publication is a result of a residency undertaken at Flat Time House in the Spring/Summer of 2021 focusing on John Latham’s collection of books. Latham’s library, which includes books intended for the making of artwork as well as for research purposes, has never been catalogued or the subject of sustained investigation. Lloyd has explored the library with particular interest in Latham's personal books vs. books for work, marginalia and other physical interventions. This book contains a speculative library, and reflections on conversations with Flat Time House Director/Curator Gareth Bell-Jones, Noa Latham, son of John Latham and Barbara Steveni and Associate Professor of Philosophy at the University of Calgary, and Lisa Stone, Curator of the Roger Brown Study Collection from 1996–2020. Full Text PDF https://images.squarespace-cdn.com/content/v1/53eff1fbe4b06637680259dc/1435954371790-9Y3SJDVI44TCJTO9BUOO/image-asset.jpeg Writing - Cute Camo 2015 Third Object Publication Accompanying Mossy Cloak at Roots & Culture, Chicago, IL Publication https://images.squarespace-cdn.com/content/v1/53eff1fbe4b06637680259dc/1410118731395-0D8RSCO5JXWMSMTEV2XT/TricksterFieldGuideEsuPage.jpg Writing - The Field Guide to Tricksters of Africa and the African Diaspora Excerpt: The Field Guide to Tricksters of Africa and the African Diaspora https://images.squarespace-cdn.com/content/v1/53eff1fbe4b06637680259dc/1410118550092-C45KT0EIQWFBUCNOV5LW/InstallationShotofHoli-delay.jpg Writing - On Holi-delay An essay written for the Party as Form class taken at Oxbow School of the Arts in the Summer of 2013. Excerpt: On Holi-delay https://images.squarespace-cdn.com/content/v1/53eff1fbe4b06637680259dc/1631869092510-HJS6RG4VWDZPLLES7DBT/FTHoImage.jpg Writing - John Latham's Library This publication is a result of a residency undertaken at Flat Time House in the Spring/Summer of 2021 focusing on John Latham’s collection of books. Latham’s library, which includes books intended for the making of artwork as well as for research purposes, has never been catalogued or the subject of sustained investigation. Lloyd has explored the library with particular interest in Latham's personal books vs. books for work, marginalia and other physical interventions. This book contains a speculative library, and reflections on conversations with Flat Time House Director/Curator Gareth Bell-Jones, Noa Latham, son of John Latham and Barbara Steveni and Associate Professor of Philosophy at the University of Calgary, and Lisa Stone, Curator of the Roger Brown Study Collection from 1996–2020. Full Text PDF http://www.k-lloyd.com/modern-canadacana daily 1.0 2026-01-15 https://static1.squarespace.com/static/53eff1fbe4b06637680259dc/t/6969162c052e836af8e94100/1421101454033/ Currently On View https://static1.squarespace.com/static/53eff1fbe4b06637680259dc/540ca93ce4b091e569d5cbe1/54b4498ee4b0507d3b17d50f/1421101454033/ Currently On View https://images.squarespace-cdn.com/content/v1/53eff1fbe4b06637680259dc/1410116368083-ZQV6PFJONGSJD4DX2FCW/VCInstallation.jpg Currently On View photo credit: Tom van Eynde https://images.squarespace-cdn.com/content/v1/53eff1fbe4b06637680259dc/1425490225033-0VMWKZ5FP5NBSO8CMDSA/image-asset.jpeg Currently On View - Accept the CHALLENGE of a mighty land. Digi board Clip https://images.squarespace-cdn.com/content/v1/53eff1fbe4b06637680259dc/1435953293211-9JUF4J7MPSYPVG08U8IZ/image-asset.jpeg Currently On View https://static1.squarespace.com/static/53eff1fbe4b06637680259dc/540ca93ce4b091e569d5cbe1/5596e272e4b01787e51dd04a/1435953311768/ Currently On View https://images.squarespace-cdn.com/content/v1/53eff1fbe4b06637680259dc/1458324227490-YCPXO269Z80X64LVY439/image-asset.jpeg Currently On View - Chicago & Vicinity March 5 – April 23, 2016 SHANE CAMPBELL GALLERY 2021 S WABASH AVE, CHICAGO IL 60616 Press Release   https://images.squarespace-cdn.com/content/v1/53eff1fbe4b06637680259dc/1464733177592-15OZA76GWQRN9HC5U0OO/WebsiteIMage.jpg Currently On View - Steady State Carus Gallery 2585 Euclid Heights Ave, Apt 5, Cleveland Heights, OH 44106 May 28- July 10, 2016 Open Hours: Sunday 1-4pm, or by appointment   https://images.squarespace-cdn.com/content/v1/53eff1fbe4b06637680259dc/1461019311468-CKFOR17R27L08MWLLMWX/unnamed-4.jpg Currently On View - Your Body Is A Battleground Weinberg/Newton Gallery 300 W Superior Street, Suite 203, Chicago, IL 60654 April 15 – June 9, 2016   https://images.squarespace-cdn.com/content/v1/53eff1fbe4b06637680259dc/1461020951314-MABO8DU95VQ20BC4PX3P/image-4.jpg Currently On View - Sabina Ott: who cares for the sky? Hyde Park Art Center 5020 S. Cornell Ave, Chicago, IL 60615 February 21 - May 1, 2016   https://images.squarespace-cdn.com/content/v1/53eff1fbe4b06637680259dc/1461423593376-0F3GRQR22MNS2H7EHVO1/IRHO.jpg Currently On View - SAIC's 150th and SSCAC's 75th Exhibition South Side Community Art Center 3831 S Michigan Ave, Chicago, IL 60653 April 22–June 19, 2016 https://images.squarespace-cdn.com/content/v1/53eff1fbe4b06637680259dc/1476234718112-CDZ7Y35ZV3A6CXCN7S4X/overart2.jpg Currently On View - New Business Hyde Park Arts Center 5020 Cornell Ave Chicago, IL 60615 August 7- October 16, 2016   https://images.squarespace-cdn.com/content/v1/53eff1fbe4b06637680259dc/1477268624170-5OXF9SX94VZLJTKHQYNQ/IMG_4759.JPG Currently On View - A Rule By Nobody Curated by Third Object Sector 2337 2337 N Milwaukee Ave., Chicago IL 60647 October 22- November 20, 2016 https://images.squarespace-cdn.com/content/v1/53eff1fbe4b06637680259dc/1480546990351-LJOURX4WJA1ITRGI00ZE/IMG_0900.JPG Currently On View - A Rule By Nobody Catalogue The catalogue for A Rule By Nobody extends the exhibition space with contributed forms, documents, and works on paper from an array of contributors. Includes an essay by Third Object and an interview with artist and organizer Philip von Zweck. FEATURING Brandon Alvendia Naama Arad Blair Bogin Rashayla Marie Brown Alex Chitty Bethany Collins Simon Denny Nick Ferreira Globe Al Chemical Company Samuel Levi Jones Hai Knafo Stephen Kwok Hanne Lippard Kelly Lloyd Jodie Mack Liz Magic Laser Jesse Malmed Christopher Meerdo Hương Ngô Ellen Nielsen Josh Rios Anthony Romero Kay Rosen Pilvi Takala Neal Vandenbergh J. Gibran Villalobos Philip von Zweck Lawrence Weiner Andrew Norman Wilson https://static1.squarespace.com/static/53eff1fbe4b06637680259dc/540ca93ce4b091e569d5cbe1/58c84ae5893fc075f960b3df/1495304119259/ Currently On View https://images.squarespace-cdn.com/content/v1/53eff1fbe4b06637680259dc/1489521384560-PTDEXUACLA0985BN5KSZ/JustLogo.jpg Currently On View - It's Just Business April 1- May 24, 2017 Corner 2912 N. Milwaukee Ave Chicago, IL 60618 www.thejustbusinessagency.com thejustbusinessagency@gmail.com https://images.squarespace-cdn.com/content/v1/53eff1fbe4b06637680259dc/1495304439231-6ODCYTRK1OX0QUZ416UW/Screen+Shot+2017-05-20+at+2.20.09+PM.png Currently On View - The Dangerous Professors May 13 – July 1, 2017 Triumph 2055 W Cermak Rd, Chicago, IL 60608 Press Release Exhibition Checklist   https://images.squarespace-cdn.com/content/v1/53eff1fbe4b06637680259dc/1495305024931-MKF7HXLQBHHW81EGBQRC/CARD%2BIMAGE3_FINAL%2BFINAL_STANDARDS%2BVARIANCE-2.jpg Currently On View - Standards Variance May 12th to June 10th, 2017 Open hours on Saturdays, noon-6pm Public Access 3306 W. North Ave., Chicago, IL 60647   https://images.squarespace-cdn.com/content/v1/53eff1fbe4b06637680259dc/1500736010288-QG5IW1B8ZTN8NOW6EOAW/sindikitphoto.jpg Currently On View - Painting Not Painting 'sindikit 405 E. Oliver St 2nd Fl Baltimore, MD 21202   July 21 - August 26, 2017 Artscape Opening, Saturday, July 22, 12 - 5pm   https://images.squarespace-cdn.com/content/v1/53eff1fbe4b06637680259dc/1500735659386-NV5P6448K4TMN4BQWAH8/SondheimMural.jpg Currently On View - Sondheim Artscape Prize Semifinalist Exhibition Maryland Institute College of Art Decker and Meyerhoff Galleries 1301 Mount Royal Avenue Baltimore, MD 21217   Friday, July 21 – Sunday, August 6, 2017   https://images.squarespace-cdn.com/content/v1/53eff1fbe4b06637680259dc/1502662461308-ITT54ZA22PV3SFNI2IMO/hair%2Ctips%2Chairtips.jpg Currently On View - CAKE + ART Opening: August 13, 3-5pm MDT Beehold Cakes 400 W. South Boulder Road, #1000 Lafayette, CO 80026   Michelle Grabner Seth Hunter Kelly Lloyd Kyle Schlie   Press Release     https://images.squarespace-cdn.com/content/v1/53eff1fbe4b06637680259dc/1505381021241-4Z8Q92EW5QZC4CGXEVFN/Screen+Shot+2017-09-14+at+11.22.32+AM.png Currently On View - PACTO September 2017 - July 2018 Website PACTO will encourage a dynamic dialogue around how artistic action can be a vehicle for enquiry and an apparatus for creating lines of agonistic discourse and empathy building. PACTO is looking to pose a proposition: What is communal negotiation of autonomy? During PACTO all participants will be active members in shaping its ongoing format, defining the terms of the proposition as a group, assisting other members theoretically and practically, playing a role in organising the logistical aspects of your individual and collective research. Central to the project will be a desire to undertake the research collectively, through collaboration and reflection on individual actions and their outcomes. Important to PACTO is the participants’ role as authors of the project’s structure to shape the format that suits our shared aims. PACTO will start in September 2017. Divided into focused months where each participant’s research would take a central position within the groups collective response to the research statement. Each participant will propose a line of research in response to the current central proposition and their ideal residency location during one of the months. PACTO will support the proposals and as a group we will collectively develop the research methods and help make the residencies happen logistically. There will also be 3 residential weeks, bringing all the participants together: one at the beginning of the process, one in the middle and one at the end of the year, where we will all cohabit in the same place and discuss PACTO and the body of collective research that is born from it. https://images.squarespace-cdn.com/content/v1/53eff1fbe4b06637680259dc/1510503343759-G86Z01TEXU7BGNQ9TOFF/thisholidayseasonalbulmcover.jpg Currently On View - this holiday season chips in the night Collaboration with Erika Råberg chipsinthenight4@gmail.com Listen Here   Album Release Party November 12, 2017 The Royal Institute of Art Stockholm, Sweden at Dusk Updates https://images.squarespace-cdn.com/content/v1/53eff1fbe4b06637680259dc/1508951935112-WQPWA02LUYZ3N6HDBUSL/UpdatedDickGregory-ZurichUniversity.jpg Currently On View - Fleeting Monuments for The Wall of Respect Zurich, Switzerland Chicago, Illinois Downloadable Flyers https://images.squarespace-cdn.com/content/v1/53eff1fbe4b06637680259dc/1513083939907-J6BIJQY5N128KDGPXWM6/promo.jpg Currently On View - Outside Jokes December 8 - 30, 2017 Emceed by Jesse Malmed DEMO Project 732 N 4th St. Springfield, Illinois 62702 Outside Jokes, a group exhibition featuring Kelly Lloyd, Alberto Aguilar, Jessica Campbell, Oli Watt, Neal Vandenbergh, Joshua Albers, Selina Trepp, Lauren Anderson, Jeffrey Austin, Misael Soto, Tegan Brace, Alex Schmidt, Kyle Schlie, Allison Lacher, Alex Bradley Cohen, Julie Potratz, Eric Fleischauer, Ellen Nielsen, Jeff Robinson, Stephanie Graham, Dan Miller, Lauren Taylor, Gabe Holcombe, Maire and Mia, Thad Kellstadt, Victoria Martinez and emcee Jesse Malmed This, here is the have to having been t/here: a series of site-gags, working lines and chasing spotlights. A bill (or, for those whose approach is more formal, a william) stuffed to its gills with genius jokesters and jesturers, as concerned with the aha! in each haha! as gaps between gasps. Comedy is serious business, like writing “shibboleth” in camouflage ink or whispering savory somethings to a street sign. We’ll check back in early 2018, but early reports are that the works here killed, that they literally destroyed the place. Abject-oriented in its hauntology, Outside Jokes gathers together works by two dozen artists that take site-dn-ess as integral to the read of any art, any joke, any interaction, and mucks and musses it. What are the rhythms of pithy patter in a language you don’t speak? Is there any such thing as a thing about nothing, Springfeld? What is two drink minimalism? Outside Jokes takes and makes place on the grounds around and in the back room of DEMO Project and on acretv.org. https://images.squarespace-cdn.com/content/v1/53eff1fbe4b06637680259dc/1516848845820-HJLDY4ZCGGPG414HUHHW/Screen+Shot+2018-01-24+at+6.50.46+PM.png Currently On View - Eclipsing: the politics of night, the politics of light Arts Incubator Gallery 301 E. Garfield Blvd Chicago, IL 60637 January 26 - March 16, 2018 Opening, Friday, January 26, 2018, 7:00 pm - 9:00 pm   Carris Adams, Bethany Collins, Cream Co., Terrell Davis, Angela Davis Fegan, Sabrina Granados, Deana Lawson, Kelly Lloyd, Shala Miller and Liz Mputu On view at the Arts Incubator Gallery, the exhibition is a program of the ECLIPSING FESTIVAL that converges around the first lunar eclipse of January, 2018. Challenging assumptions of darkness, Eclipsing: the politics of night, the politics of light is a group exhibition that implicates the eclipse as a metaphor in order to explore conversations of power, landscape, language, space and visibility. The exhibition is a series of propositions organized and exhibited together in order to threaten, suspend, reshape and revision expectations and associations between light and dark. From the newspaper front page (Bethany Collins, “The Birmingham News, 1963”) to the sidebar digital ad (Terrell Davis, “Untitled”) and from the hole in the couch (Deana Lawson, “Portal”) to a puddle in the ground (Shala Miller, “The Song the Seed Sings”), the works featured in this exhibition argue for, demand, suggest and encourage an interpretation of the world at large, beyond the binary of light and dark. Exhibition Press Release   https://static1.squarespace.com/static/53eff1fbe4b06637680259dc/540ca93ce4b091e569d5cbe1/5aba9a1888251ba850ba9063/1523801661943/ Currently On View https://images.squarespace-cdn.com/content/v1/53eff1fbe4b06637680259dc/1523801685784-L1GVTG3WKMSW7AIRJVX9/Screen+Shot+2018-04-15+at+4.13.49+PM.png Currently On View triumph 2055 W Cermak Rd Chicago, Illinois, 60608   https://static1.squarespace.com/static/53eff1fbe4b06637680259dc/540ca93ce4b091e569d5cbe1/5afe9b17aa4a996443d1047e/1526635700047/ Currently On View https://images.squarespace-cdn.com/content/v1/53eff1fbe4b06637680259dc/1528462290103-TIHQP786VRZ2K1YI5O4L/Watts-Demelza-Homework-GAP-2018-1.jpg Currently On View - HOMEWORK with Demelza Watts Glurns Art Point Widumplatz 3 Piazza della Canonica Glurns, Italy Saturday, June 9, 2018, 4 - 7 pm https://images.squarespace-cdn.com/content/v1/53eff1fbe4b06637680259dc/1528462337556-AA3TSRUR3K1XJZTXF524/LloydKKAImage.jpg Currently On View - KulturKontakt Visual Artists in Residence Austrian Federal Chancellery Concordiaplatz 2 Vienna, Austria June 11 - 21, 2018 Opening. Monday, June 11, 5 - 7pm https://images.squarespace-cdn.com/content/v1/53eff1fbe4b06637680259dc/1531191167723-Q2D4DJOPCCAQS2UKYHSG/Screen+Shot+2018-07-09+at+10.51.32+PM.png Currently On View - Up like a sun, down like a pancake. July 7 - August 5, 2015 Open Hours: Fridays 6-8pm/ Saturdays 12-4pm Institute for Contemporary Art Baltimore 16 West North Ave, Baltimore, MD 21218 In Up like a sun, down like a pancake. Kelly Lloyd presents new work and new collaborations. Up like a sun, down like a pancake seeks to examine the humor and hypocrisy in inevitable physical decay, and presents an alternative to intellectual decay. This part-exhibition part-reading room will expand on Lloyd's interests in generosity, spaces constructed for social engagement, and literature as objects. Featutring work by: Emma Kathryn Akins A\M (Elisabeth Smith + Michael Milano) Gwyneth Anderson Kayla Anderson Warren Andrews Kateryna Babkina Lise Haller Baggesen Dana Bassett Peter Miles Bergman Jessica Campbell CANDOR ARTS Justin Chance Kittisak Wa Chontong Kelly Christian Matthew A. Coleman Delinda Collier Angela Conant Allison Crowley Markele Cullins Sharmyn Cruz Rivera Angharad Davies Rodolphe Delaunay Eilidh Duffy Fionn Duffy Arièle Dionne Krosnick Dave Eassa Nick Ferreira Fernway Gallery Fuzzy Muzzle Design Skye Gilkerson Suzanne Gold Allison Gulick Kara Gut Peter Haselmayer / Walter Ego Maximilian Hines Phaan Howng Amelia + Dan Jacobs Lou Joseph Stevie Hanley Amelia Hruby Seth Hunter Thomas Huston Jaclyn Jacunski Dejan Kaludjerović Yalie Kamara Terri Kapsalis Christopher Kardambikis Em Kettner Attila Kiss Davielle Lakind Eric Lebofsky Birgit Lettmann Tony Lewis Heather Link-Bergman Mark Lloyd Laura Mackin Sophie Mak-Schram Jesse Malmed Ryan Mandell Amanda Roscoe Mayo Mhor Farr Ray Ray Mitrano Didier Morelli The MorphoTransverse Method ® Matt Morris Jessica Gaynelle Moss Raven Falquez Munsell Gulsah Mursaloglu Danny Orendorff Sabina Ott Ceylan Öztrük Giulia Ratti Daphne Politi Anne Posten Aay Preston-Myint Tom Puschautz Erika Råberg Carly Ries Carrie Rennolds Pat Reynolds Margaret Rogers Greg Ruffing + Brandon Alvendia Sam Sax Kyle Schlie Katie Shlon Michal Lynn Shumate A.D. Smith Sprechgesang Institute Yuri Stone Antoinette Suiter + Gregory Fitzsimmons Danielle Susi Daniel Tam-Claiborne Michell Thar Third Object Finn Thomson Triumph Gallery Trunk Show David Ubias Blas Ulibarri Addie Ulrey Ulrike Ulrich Merve Ünsal Tony Venne Julia Vogl Robin Waart Aaron Walker Hamza Walker Erin Washington Demelza B. Watts Latham Zearfoss https://images.squarespace-cdn.com/content/v1/53eff1fbe4b06637680259dc/1534100734716-9BMCFZHPXXGPK0W9SRLI/unnamed-10.jpg Currently On View - Matt Morris: Splitsville smells like irises August 3 – September 9, 2018 Tiger Strikes Asteroid New York 1329 Willoughby Ave, #2A Brooklyn, NY 11237 www.tigerstrikesasteroid.com “And in my mind, I am watching the creeping excesses of those irises. Their purple-blue hearts. How they gather and wander. How they grow beyond the prescribed borders. And in my mind, this is where I choose to revisit him.” (1) “Sometimes I am empty for a very long time. I have no identity. At first it is frightening. And then it turns to an impulse of happiness. And then it stops.” (2) Tiger Strikes Asteroid New York presents Splitsville smells like irises, an installation by Matt Morristhat includes work by Christopher Backs, Lise Haller Baggesen, Rashayla Marie Brown, Angela Davis Fegan, Alejandro Jiminez Flores, Lee Godie, Kelly Lloyd, James Morris, Aay Preston Myint, Alan Reid, Paul Mpagi Sepuya, and Clara Ursitti. As is typical in his exhibitions, Morris’ work rests between studio production and curation, amongst Readymades, loaned artworks, and questions that upset easily read positions of authorship. A cross-stitched needlework by his father accompany photographs, video, prints, painting, and olfactory artworks contributed from an international coterie of makers—peers in Morris’ Chicago community as well as friends and role models hailing from New York, Los Angeles, Vienna, Glasgow, and beyond. “Ambiguity, duality, the most suspect words of all, they don’t hear them, don’t understand them.” (3) “Even in the most insignificant details of our daily life, none of us can be said to constitute a material whole, which is identical for everyone…our social personality is a creation of the minds of others.” (4) These artists and artworks delve into an examination of code switching, resemblance, imitation, and fragmentation as a set of interrelated strategies by which conceptions of selfhood, subjecthood, and identity might be disrupted. The gathered works collapse across a furniture arrangement redolent of the psychotherapeutic environment, serving as an apparatus that signals embodiment, modes of care, and a proposition of “being together” that is predicated on introspection as well as the kind of looking that galleries typically support. “Everything works. Everything is acceptable. I speak of ‘discourses of reference productive of subjectivity’. What matters to me is clarifying criteria for getting beyond the oppositions….” (5) While the inquiries that inform this exhibition proceed from longer stretching research questions about drag (as painting, as photography, as scent), queer formalism, and the ways that objects hold the potential to behave demonstratively to subvert codes of normativity in contemporary culture, there is also an urgency that prompts this project as a response to shifts in dominant power in the United States. What may have comfortably performed as playful investigations into how we theorize desire and selfhood previously is now distinguished as modes of survival that combine performed selves, upended authorships, and slippages between mediums and categories in order to philosophize forms of living beyond those fiercely defended by the Far Right in this country and in institutionally supported xenophobia around the world. “If I’m loving ‘somewhere else,’ I am betraying the love of he or she who is waiting for me. If I am going off I am leaving, if I’m putting distance between us I already have to leave.” (6) Tiger Strikes Asteroid's 2018 Exhibition Program is sponsored, in part, by the Greater New York Arts Development Fund of the New York City Department of Cultural Affairs, administered by Brooklyn Arts Council (BAC). ____________ (1) Excerpt from the artist’s eulogy for his father, delivered 18 June 2018. (2)Duras, Marguerite. No More. New York: Seven Stories Press, 1998. Print, p. 15. (3) Duras, Marguerite. “Wonderful Misery.” Green Eyes. New York: Columbia University Press, 1990. Print, p. 127. (4)Proust, Marcel. Swann’s Way: In Search of Lost Time, Vol. 1. New Haven: Yale University Press, 2013. Print, p. 21. (5) Guattari, Félix, in conversation with Bracha Ettinger. “From Transference to the Aesthetic Paradigm.” A Shock to Thought: Expression after Deleuze and Guattari. Print, p. 240–241. (6)Duras, Marguerite. “Solitude.” Green Eyes. New York: Columbia University Press, 1990. Print, p. 68. https://images.squarespace-cdn.com/content/v1/53eff1fbe4b06637680259dc/1522178616969-JJF0367DCO58NHYHZPWV/18_0203-long-stretch-400x600-showpage.jpg Currently On View - Omission Ragged Wing @ The Flight Deck 1540 Broadway Oakland, CA 94612 https://images.squarespace-cdn.com/content/v1/53eff1fbe4b06637680259dc/1536662703206-LVMZGNWT1LSKK9YEJHF4/41462053_10155862472448450_5242404366731706368_n.jpg Currently On View - Strictly Business Martini Auction Wednesday, September 12, 7-10pm ARoS Aarhus Art Museum Please join ARoS Artist Collective-in-Residence, Flux Factory, for a once in a lifetime experience at the STRICTLY BUSINESS Martini Auction in the ARoS Atelier. Prepare yourselves to be dazzled as one-of-a-kind signature art martinis are auctioned off to an eager and possibly thirsty public. A true international affair, participating artists include Jack Hogan, Maya Suess, Monique Muse Dodd, Amir Badawi, Kalon Hayward, Pernille Lærke Andersen, Will Owen, Kelly Lloyd, Jette, Gejl, PIA PAN, and Eleni Theodora Zaharopoulos. Doors open at 7pm, Auction Begins at 8pm. Dance party to follow. Bring your dancing shoes (and wallets) and get ready to bid! https://images.squarespace-cdn.com/content/v1/53eff1fbe4b06637680259dc/1539432098148-BT0C9H3IWKD5E11CXBET/compacto1+A3+poster+CMYK.jpg Currently On View Featuring work by Warren Andrews Leslie Lawrence & Christopher Mayer Kelly Lloyd Sophie Mak-Schram Pedro Moreira :pillow (Alessandro Moroni and Giulia Ratti) Samantha Penn Finn Thomson Merve Ünsal Demelza Watts https://images.squarespace-cdn.com/content/v1/53eff1fbe4b06637680259dc/1540745289885-BZ2CWG71ZRE6KK93BNZB/LloydOutPostcardImage.jpg Currently On View - Out October 29, 2018 - January 19, 2019 Reception. December 16, 2 - 5pm Stanley Brown Jewelist 4751 N. Lincoln Ave, Chicago, Illinois 60625 Press Release https://images.squarespace-cdn.com/content/v1/53eff1fbe4b06637680259dc/1548101752540-S6ANO6U3JQXGAF69FM7E/48270787_373093016776078_2637939303698661376_o.jpg Currently On View - PACTO @ Raven Row Collectives, not Collections: A Symposium Wednesday, January 23, 2019 Raven Row, London Facebook Event PACTO Website https://images.squarespace-cdn.com/content/v1/53eff1fbe4b06637680259dc/1552580694931-DQEFONK3H9QCVQSP245H/aabkclogolong1_1-2.png Currently On View - The Art Worker Event Series The Aarhus Center for Visual Art at rum 46 AaBKC Social with Kelly Lloyd March 27, 2019 Aarhus, Denmark The Art Workers Event Series explores the issue of financial stability for visual artists. Featuring artists Fiona Reilly (IE), Kelly Lloyd (US), and Lise Skou (DK). Curated by Sasha Rose Richter and Pamela Grombacher. https://images.squarespace-cdn.com/content/v1/53eff1fbe4b06637680259dc/1553955590000-3IDC3C5NPET9YLF43FAY/54435713_3070247889667619_936597307716009984_o.jpg Currently On View - The Art Worker Event Series: It's Just Television It’s Just Television ACRE TV // March 26 - April 9, 2019// Online The Aarhus Center for Visual Art at rum 46// March 26, 2019// Aarhus, Denmark The Just Business Agency will interrupt normal programming to present It's Just Television, a television special featuring By Way of Today, CaylaMae, CaW Research Group, Stephanie Graham, Leslie Lawrence, Jesse Malmed, The MorphoTransverse Method, Nice Talk, Postmodern Talking and Lea Devon Sorrentino. The Art Workers Event Series explores the issue of financial stability for visual artists. Featuring artists Fiona Reilly (IE), Kelly Lloyd (US), and Lise Skou (DK). Curated by Sasha Rose Richter and Pamela Grombacher. https://images.squarespace-cdn.com/content/v1/53eff1fbe4b06637680259dc/1559223434619-1WII3342DZA4I9C1HEIS/private_life_web_0.jpg Currently On View - "The Private Working Lives of Contemporary Artists" June 10, 2019 Private Life Conference University of Edinburgh, Edinburgh College of Art Since the Fall of 2017, I have interviewed over 50 visual and performing artists, writers, economists, professors and art administrators. My paper will connect several interviews together by exploring what artists speak about in private, how artists speak about their lives in private, who we keep these matters from, and why we feel we must speak about our living and working conditions and their consequences only in private. https://images.squarespace-cdn.com/content/v1/53eff1fbe4b06637680259dc/1558713904154-VR3DF0MT2GAXNX4LZQAX/crybaby_help.jpg Currently On View - HELP (Is anyone an artist?) A new performance by Kelly Lloyd with Elizabeth Ravn and Annelie Andre Organized by Annelies Kamen for Crybaby June 13th, 2019 6:00-6:30pm Beginning at: Genthiner Str. 36 10785 Berlin Crybaby is happy to present this performance as part of When The Hunger Starts - Project Space Festival Berlin 2019 When talking about the relative importance or value of art, why is art set against the things we need to survive? Because you can't eat a painting, does that mean it’s a useless fetish object for the bourgeoisie? Artists are the first to admit that if there was a choice between funding a hospital or an art museum, we'd all choose the hospital... but... what if art could save lives? HELP (Is anyone an artist?) is a mobile performance which will explore what it looks like when art tries to save a life. https://images.squarespace-cdn.com/content/v1/53eff1fbe4b06637680259dc/1565363699430-4HKCEPIH6GHT784VEK2A/unnamed.jpg Currently On View - Fuzzy Transposition  June 28 - July 26, 2019 MONACO 2701 Cherokee Street Saint Louis, MO 63118 Curated by Jesse Malmed Featuring work by the Artists' Karaoke Archive, Devin Balara, Leslie Baum, By Way of Today, Sarabeth Dunton, Adam Farcus, Kelly Kristin Jones, Kelly Lloyd, Lauren Sudbrink, and Ruby T. https://images.squarespace-cdn.com/content/v1/53eff1fbe4b06637680259dc/1560358993264-BPJ8CVFUN5ZF43AH00S0/unnamed-2.png Currently On View - Collectives as Catalysts June 26, 2019 Raven Row 56 Artillery Ln, Spitalfields, London E1 7LS After hosting our first symposium Collectives, not Collections in January 2019, PACTO is back at Raven Row with Collectives as Catalysts. During their break of programming in 2018-2019 Raven Row has invited various collectives and groups to use the space as studios, workspaces and meeting places. What is to be gained from inviting collectives instead of individuals, is it simply a numbers game? After all, there is one thing collectives will always have more of than the individual and that is bodies. But what are collectives for? Why do we form them? How are they structuring themselves? What are the benefits of being in a collective in 2019? For Collectives as Catalysts, PACTO invites collectives and groups from across different fields of creativity, community, activism, design and research to share their knowledge, experiences, passions as well as the challenges that they are currently facing. https://images.squarespace-cdn.com/content/v1/53eff1fbe4b06637680259dc/1559223332375-HKRCVGRICPZYOF1HNRUX/Screen+Shot+2019-05-25+at+4.55.52+PM.png Currently On View - Do-Over June 1 - 30, 2019 Opening. June 1 Unrequited Leisure 625-A 7th Ave. S., Nashville, TN 37203 The exhibition brings together video, performance, and interdisciplinary artists working with notions of appropriation, citational practices, re-performance, and derivatives. International in scope, the selected participants approach art histories, popular culture, and new forms of media with pointed criticism, humour, and borderline obsession. The works on display engage with the many ways artists transform past and present archives, addressing power inequalities through incisive aesthetic gestures. Featuring work by Allana Clarke, Carrie Fonder, Steve Giasson, Myriam Jacob-Allard, Julie Lequin, Kelly Lloyd and Nathaniel Wong Curated by Didier Morelli & Clint Sleeper Organized by Chalet Comellas-Baker, Arièle Dionne-Krosnick, Morelli, and Sleeper Catalog https://images.squarespace-cdn.com/content/v1/53eff1fbe4b06637680259dc/1560358781253-GBXZWQAQTTVWDD81SB4Q/pomegif.gif Currently On View - POME  June 15 - July 3, 2019 Opening. June 15, 2019 Seattle Freezer Capitol Hill, Seattle POME is instigated and edited by Jesse Malmed with contributions from across the country, including Eric May, Dolly Lemke, Lydia Rosenberg, Ben Segal, Alee Peoples, Josh Minkus, Rana Siegel, Kelly Lloyd, Aaron Walker, Dana Bassett, Erinrose Mager, Roni Packer, Mac Akin, Breanne Trammell, Leslie Baum, Michelle Antonisse and more, more, more. https://images.squarespace-cdn.com/content/v1/53eff1fbe4b06637680259dc/1559223366296-4QHRISZ1A02XTG26MV72/Screen+Shot+2019-05-25+at+5.04.06+PM.png Currently On View - COURSES: an experimental dining event July 12 & 13, 2019 Sprechgesang Institute The Block Gallery, 80 White Street, 2nd Flr, New York NY 10013 There is something about the certain category of conversation which spring up around a dinner table. Something about flavors uncovering ideas, scents fueling musings. Candles are good but not mandatory. Wine can also good, but also not mandatory. The idea is simply to provide an occasion for gathering. A meal has a duration, presenting things to accomplish within implied guidelines; it keeps your hands busy, so your mind can rattle around freely. Sprechgesang Institute is a research-based platform for artists and thinkers working in an in-between language of two or more disciplines. Featuring work by Thalia Beaty, Katie Bell, Sara Clugage, Patricia Cooney, Christopher Lin, Kelly Lloyd, Daniel Mantilla, Clare Monfredo, Jon Verney, N. Andrew Walsh, Alisha Wessler, Ashley Eliza Williams and Sarah K. Williams. https://images.squarespace-cdn.com/content/v1/53eff1fbe4b06637680259dc/1572443018227-AJ23X4KUZKP3RW6ZV016/Borrowed.jpg Currently On View - Exceptional Promise Dirty House 95 Haymerle Rd, London, U.K. October 17 - November 1, 2019 Performance/Opening, Friday, October 18, 7pm Open by appointment, email info@nick-tudor.com Art Licks Weekend 2019 Terrain Biennial https://images.squarespace-cdn.com/content/v1/53eff1fbe4b06637680259dc/1565363346725-RBHYXQRYA7J7O4ATZU7R/LloydImage-KaraThraceStudio.jpg Currently On View - In the studio Bill’s Auto 3217 S. Archer Ave Chicago, IL 60608 September 5 - November 2, 2019 Opening, September 5 Open by appointment, email billsautochicago@gmail.com https://images.squarespace-cdn.com/content/v1/53eff1fbe4b06637680259dc/1573219421982-ZHL4JWC9MJNUDVJ9Z9A4/unnamed-14.jpg Currently On View - YOU WALK INTO November 2 -30, 2019 Rainbo Club 1150 N Damen Ave Chicago, U.S.A. A collection of bellied-up drawings, rumpled sculptures and sopping painteds relating to the avuncular vernacular, the shared shibboleths of a series of someones walking into a shared space. A deep dish dive into taste. An exhibition organized like a bar hang. Works by Aay Preston-Myint, Lauren Edwards, Manal Kara, Stephanie Graham, Tegan Brace, Brandon Alvendia, Caitlin Ryan, Chris Reeves, Eric Fleischauer, Hope Esser, Dan Miller, Nora Chin, Oli Watt, Jen Delos Reyes, Jessica Campbell, Stella Brown, Kelly Lloyd, Lauren Anderson, Molly Colleen O'Connell, Neal Vandenbergh and Alberto Aguilar. https://images.squarespace-cdn.com/content/v1/53eff1fbe4b06637680259dc/1578738798267-KHNCZ34GLOV393Y1CMV1/Screen+Shot+2020-01-11+at+10.32.37.png Currently On View - Do-Over January 10 - 25, 2020 Good Sport 256 Richmond St, Unit 2, London, Canada The exhibition brings together video, performance, and interdisciplinary artists working with notions of appropriation, citational practices, re-performance, and derivatives. International in scope, the selected participants approach art histories, popular culture, and new forms of media with pointed criticism, humour, and borderline obsession. The works on display engage with the many ways artists transform past and present archives, addressing power inequalities through incisive aesthetic gestures.Featuring work by Allana Clarke, Carrie Fonder, Steve Giasson, Myriam Jacob-Allard, Julie Lequin, Kelly Lloyd and Nathaniel WongCurated by Didier Morelli & Clint Sleeper Organized by Chalet Comellas-Baker, Arièle Dionne-Krosnick, Morelli, and Sleeper. Catalog https://images.squarespace-cdn.com/content/v1/53eff1fbe4b06637680259dc/1578739879262-LY2ZYM0XKPXBAYWEYHRB/logo_360x.jpg Currently On View - WORD SOUP : Works from the Online Exhibition Link Curated by Kelly Lloyd Featuring Work by Eddie Braught, Jeremy Burleson, Peter Harris, James Heartsill, Sara Malpass, Michael Nuñez, Jason Powell-Smith, Serena Scott, Bubba Trieber, Christian Vassell and Jonathan Velazquez NIAD Art Center Richmond, California, U.S.A. If this was a two person show, one person would be words and the other person would be food. Words and food. The two most important things… besides family and art of course. // You know that moment when you’re really tired and you forget how to spell. Squir-r-e-l. Is that how it’s spelled? Is that how squirrel is really spelled? It’s a bit odd, isn’t it? I work in at a reception desk and people tell me their names over and over again. They ask where the bathroom is over and over again. Over and over again to the point where my speech slows and falters. Something breaks, words collide and information I know becomes a question? Ashley… Ashleigh? You’ll find the loo down..the...hall…to...your...left? In these moments the words become as present as the people standing in front of me and just as heavy. // The produce is better in California and it makes everything taste better. The peppers and tomatoes. It tastes like the sun is inside of them. https://images.squarespace-cdn.com/content/v1/53eff1fbe4b06637680259dc/1584180502861-ZJNM765N7RKKLWMRT20W/IMG_3392+%281%29.JPG Currently On View - In the studio Demo Room Aarhus, Denmark March 7 - April 26, 2020 Opening Reception: March 6, 4-6pm When artist studios are represented it often looks the same: tin cans full of paintbrushes, chaise lounges, paintings facing the wall, empty frames, hanging textiles, and candles stuck in wine bottles. Kelly Lloyd’s upcoming exhibition in The Demo Room at Galleri Image, titled In the studio, will diverge from this common visual narrative by presenting the studio of contemporary Danish artist Dahn Vo in a manner which interrogates visibility itself. In the studio attempts to complicate the way artistic processes are represented, and to question what impact this has on how artistic labour is understood in the public imagination. In the studio builds of the research Kelly did while in residence at Aarhus Billedkunstcenter in Fall 2018, when she interviewed people in the Aarhus arts sector about their livelihoods. Her work juxtaposes the realities of being a contemporary working artist gleaned from these interviews, with representations of artists' lives and labour in popular culture and fine art. In the studio is the second of three exhibitions at The Demo Room featuring former AaBKC Residency artists-in-residence, and is presented in collaboration with Aarhus Billedkunstcenter. Curated by Pamela Grombacher. Supported by Aarhus Kommune. https://images.squarespace-cdn.com/content/v1/53eff1fbe4b06637680259dc/1591267180683-3DUDZ27YY0O9BB00N3OL/image-asset.jpeg Currently On View - Gentle stranger, I hope this email finds you well Künstler, Künstlerin 1 June - 20 July, 2020 Kelly Lloyd, Sophie Fetokaki, Adam Patterson, Katharina Joy Book, Jonathan Hielkema, Merve Ünsal, Thukral + Tagra, Katarina Jazbec Website https://images.squarespace-cdn.com/content/v1/53eff1fbe4b06637680259dc/1603808490368-FK0C44Z4BNONYTJYWIRO/image-asset.jpeg Currently On View **LTE Haunted Corn Maze** Friday, October 30, 2020 7pm-9pm CST email Limited Time Engagement for the event link https://images.squarespace-cdn.com/content/v1/53eff1fbe4b06637680259dc/1616842535675-JSLW31YVR6FMZKJ5KAYB/image.jpg Currently On View - 12ø 30/30 2021 30works30days is a month-long project where participants are required to submit a new piece of work, every day for the month of April. The project is open to everyone and any medium is encouraged. If you fail to submit something on one of the days, you are out of the project. 30/30 is to encourage making and experimentation, testing what you think you know about your practice. With the restriction of one day you may find that the choices you make, the corners you cut, and those ideas that you couldn’t quite realise, are just as telling as the work that you produce. Be as lazy or ambitious, as devious or honest as you like. Remember it is your choice and ultimately your representation of the concerns within your practice. You will be able to see works being submitted everyday throughout April on the live feed, here: https://www.thirty.works and by following #30works30days Image Credit: Eva Duerden https://images.squarespace-cdn.com/content/v1/53eff1fbe4b06637680259dc/1615368567819-KD7A82S739NIH1PMQD78/image.jpg Currently On View - Royal Society of British Artists Rising Stars Exhibition Royal Over-Seas League https://www.rosl.org.uk/risingstars2021 Selected from entrants by the RBA Education Committee, this exhibition represents the top applicants for the RBA Rome Scholarship. https://images.squarespace-cdn.com/content/v1/53eff1fbe4b06637680259dc/1612430421079-RSPFN606J4NNXZZ3WNZP/image-asset.jpeg Currently On View - What will the future look like? Ballad of Peckham Rye, U.K. https://theballadofpeckhamrye.com/a/kelly-lloyd-what-will-the-future-look-like/ 1 February, 2021 “We cannot predict the future exactly, so I choose to be optimistic and hopeful“ Catherine Sarah Young Since 2017, Lloyd has interviewed people in the arts sector about the living and working conditions of contemporary artists. This project pairs excerpts from 5 interviews with the interviewees’ responses to the question, What will the future look like? As galleries, museums and cultural spaces remain closed to the public, the project brings together a range of international voices that speculate on what the future might look like while reflecting on systemic issues. Pandemics have played a role in shaping human history throughout the ages – crises and disasters have continually set the stage for radical change. Our lives remain in the process of being transformed. These changes – some predictable, others still hard to fathom – allow us a unique moment to pause and reflect. To what extent can we redefine the way we live our lives? https://images.squarespace-cdn.com/content/v1/53eff1fbe4b06637680259dc/1621675630922-5MF0Y0J571HBEOJZT24S/image.jpeg Currently On View - "Fleeting Monuments for the Wall of Respect" The Wall of Respect, a work of public art created in 1967 at the corner of Forty-third Street and Langley Avenue on Chicago’s South Side, depicted Black leaders in music, literature, politics, theater, and sports. The Wall sparked a nationwide mural movement, provided a platform for community engagement, and was a foundational work of the Black Arts Movement. There is no longer any physical indication of its existence, but it still needs to be remembered. Romi Crawford proposes the concept of “fleeting monuments,” asking a range of artists and writers to realize antiheroic, non static, and impermanent strategies for commemoration. Featuring contributions from Miguel Aguilar, Abdul Akalimat and the Amus Mor Project, Wisdom Baty, Lauren Berlant, Mark Blanchard, Bethany Collins, Darryl Cowherd, D. Denenge Duyst-Akpem, Julio Finn, Maria Gaspar, Theaster Gates, Wills Glasspiegel, Stefano Harney and Fred Moten, Stephanie Koch, Kelly Lloyd, Damon Locks, Haki Madhubuti, Faheem Majeed, Nicole Mitchell Gantt, Naeem Mohaiemen, K. Kofi Moyo, Robert E. Paige, Kamau Patton, Jefferson Pinder, Cauleen Smith, Rohan Ayinde, solYchaski, Norman Teague, Jan Tichy, Visiting Val Gray Ward, Mechtild Widrich, and Bernard Williams. Distributed by the University of Minnesota Press. https://www.upress.umn.edu/book-division/books/fleeting-monuments-for-the-wall-of-respect https://images.squarespace-cdn.com/content/v1/53eff1fbe4b06637680259dc/1613300771680-ND7XJI3X9BE9VE3JUARP/image-asset.jpeg Currently On View - "HAIR CLUB: A Case Study for Socially Engaged Art History" Suzanne Gold, Kelly Lloyd, Michal Lynn Shumate (HAIR CLUB) Socially Engaged Art History and Beyond: Alternative Approaches to the Theory and Practice of Art History Ed. Cindy Persinger and Azar Rejaie Palgrave Macmillan https://www.palgrave.com/us/book/9783030436087 https://images.squarespace-cdn.com/content/v1/53eff1fbe4b06637680259dc/1613300815117-E22B6K6BB3ZVL9WE1A02/61_cover_full_web21024_1-768x465.jpg Currently On View - “Living Within the Play” Kelly Kaczynski, Kelly Lloyd, Mark Jeffery, Shannon Stratton PUBLIC JOURNAL ISSUE 62: Currencies of Hospitality http://www.publicjournal.ca/61-currencies-of-hospitality/ https://images.squarespace-cdn.com/content/v1/53eff1fbe4b06637680259dc/1631866506393-4E85ICKUP4C7HJPJYMCH/FTHoImage.jpg Currently On View - Flat Time House Residency Event Flat Time House 210 Bellenden Rd London, SE15 4BW Saturday 18 September 2021 , 3pm Event free but booking essential link here Artist Kelly Lloyd is currently undertaking a research residency at Flat Time House focusing on John Latham’s collection of books. Latham’s library, which includes books intended for the making of artwork as well as for research purposes, has never been catalogued or the subject of sustained investigation. Since March 2021 Lloyd has explored the library with particular interest in Latham's personal books vs. books for work, marginalia and other physical interventions. Kelly Lloyd will present her research on Saturday, 18 September 2021 at 3pm. Specifically, she will present a speculative library (2006-2021), and read excerpts from a small publication containing thoughts on personal book collections as portraits and the place of books in the archiving and preservation of artist homes and studios, as well as reflections on conversations with Flat Time House Director/Curator Gareth Bell-Jones, Noa Latham, son of John Latham and Barbara Steveni and Associate Professor of Philosophy at the University of Calgary and Lisa Stone, Curator of the Roger Brown Study Collection from 1996–2020. https://images.squarespace-cdn.com/content/v1/53eff1fbe4b06637680259dc/1631865669598-9OSS9TFQ56FQ928IDFS0/image-asset.png Currently On View - Speculative Magenta Hauntology. RUSCHWOMAN 2100 S Marshall Boulevard, Chicago, IL 60623 September 19 – November 28, 2021 Please contact thewaves@ruschwoman.blue to make arrangements to visit RUSCHWOMAN during the run of the exhibition. Masks will be required for entry. RUSCHWOMAN’s inaugural exhibition brings together a group of artists—both historical and contemporary, hailing from new and far—in Speculative Magenta Hauntology. Including works from Marcel Broodthaers, Judith Brotman, Chiara Fumai, Marcia Hafif, Mark Harris, Kelly Lloyd, André Marin, Eliza Myrie, Nat Pyper, Zachary Rawe, and Christina Zion. Excerpts from these artists’ rigorous and playful practices have been brought into dialogue in order to inquire into the means by which DISCOURSE is constituted, maintained, and supported. In the process of building this exhibition, DESIRE and LANGUAGE have been shown to be significant axes in the development of discursive meaning production. Strategies of quotation, citation, appropriation, divination, recycling, translation, political organizing, confession, and fragmentation carry with them references to pop lyrics, affect theorists, radical feminists, lesbian collectivity, critical race theory in the diaspora, and vaulted pieces of classic literature. Therein the potential for encouraging doubt as a means to proceed positivistically is explored. And with it, an interrogation into what role the historical construct of the ‘feminine’ may serve as it is dis/located within a condition of otherness and directed toward the as yet uncertain. As a discussion, as a total composition, Speculative Magenta Hauntology seeks to substantiate the implications of Karen Barad’s notion that the epistemological and the ontological are coextensive; an upset in the rigid assumptions of how identity and agency operate is inevitable. https://images.squarespace-cdn.com/content/v1/53eff1fbe4b06637680259dc/1644933547239-IPLSFNXMHM2MCDM1L1DB/WhitechapelGalleryLogo.jpeg Currently On View - TTWCA Panel Discussion: Zarina Muhammad + Morgan Quaintance Whitechapel Gallery 24 February 7pm Purchase tickets here: https://www.whitechapelgallery.org/events/this-thing-we-call-art/ Since 2017, artist and researcher Kelly Lloyd has interviewed people in the arts about their livelihoods, documenting diverse stories of artists as workers. Join her discussion with the artist and writer Morgan Quaintance and critic Zarina Muhammad, part of writing duo The White Pube, on the issues and inequalities surrounding artistic labour. thewhitepube.com The White Pube is the collaborative identity of Gabrielle de la Puente and Zarina Muhammad under which they publish reviews and essays about art, video games and food. You can find them at thewhitepube.com or on twitter and instagram at @thewhitepube. Morgan Quaintance is a London-based artist and writer. His moving image work has been shown and exhibited widely at festivals and institutions including: MOMA, New York; Mcevoy Foundaton for the Arts, San Francisco; Konsthall C, Sweden; David Dale, Glasgow; European Media Art Festival, Germany; Alchemy Film and Arts Festival, Scotland; Images Festival, Toronto; International Film Festival Rotterdam; and Third Horizon Film Festival, Miami. morganquaintance.com https://images.squarespace-cdn.com/content/v1/53eff1fbe4b06637680259dc/1691943589251-VV7KHZ97NULR58709C39/BoundaryEncountersLogo.jpg Currently On View - Modern Art Oxford- Creative in Residence During my time in residence, I will be researching Artist in Residence programmes in museums and galleries. I will be holding Noontime Research Sharing Sessions on alternate Tuesdays through August and September. These Tuesday sessions will give me a chance to present my research to and have a discussion with the public. Starting this Tuesday 15 August, drop in to the Piper Gallery at 12pm, please feel free to bring a cold lunch with you! https://images.squarespace-cdn.com/content/v1/53eff1fbe4b06637680259dc/1733497120145-G1M4JJ3EHQJO7O1MJA7R/image-asset.jpg Currently On View - An Oral History with jina valentine by Kelly Lloyd Available here For visual artist and professor jina valentine, a sense of place is closely tied with the imperative to build community. Having experienced several relocations, first as a student and later as an academic, valentine has met this requirement by developing systems of support and works of collaboration several times over and using a myriad of tactics. These strategies have included co-founding Black Lunch Table, an organization focused on Black artists and legacy; teaching inside and outside the university system; and considering parenthood as slow sculpture. Transdisciplinary artist and educator Kelly Lloyd joins valentine as her interviewer. Bringing these practitioners together offers a salient portrait of the artist as community member. While traversing the landmarks of valentine’s journey, this conversation interrogates the tensions that have presented themselves throughout her career: material/ephemeral, potential/limitation, confidence/doubt, impulse/regret. In this revealing, wide-ranging exchange, the two artists examine the value of mentorship as a vital intervention, explore how to cultivate anchors as a matter of praxis, and explain why the concept of “work” should be called something else. —Andrea L. Battleground, OHP Producer https://images.squarespace-cdn.com/content/v1/53eff1fbe4b06637680259dc/1687605078199-9H47EOMR7J62CIY2NI22/image-asset.png Currently On View - National Sculpture Factory - Loading Bay Loading Bay is a webpage for writing by artists, an online dock – a space of exchange. Curated by Frank Wasser, the commissions collectively convey the materiality of language by teasing out a deft register of content and forms. The title of this project positions an online analogue of the National Sculpture Factory’s loading bay. Loading bays are commonly encountered in factories, commercial units and industrial structures. Functioning as integral parts of a facility, they serve the purpose of providing entry points to staging areas, sites of production, storage rooms, and in this instance, art works. These commissions offer artists the space to consider and act upon the implications of writing as a sculptural form. The inaugural commissioned artists are Joseph Noonan-Ganley, Francis Whorrall-Campbell, Oisín Byrne, Kelly Lloyd and Frank Wasser. You can view/download the commissions here: https://nationalsculpturefactory.com/programme/loading-bay/ https://images.squarespace-cdn.com/content/v1/53eff1fbe4b06637680259dc/1662828450861-SYNTSBLP94PZR6KC4RSW/image-asset.png Currently On View - **CURB ALERT** A **CURB ALERT** posting on Boston Metro West Craigslist, informing you of an exhibition of artist-made lawn signs, one day only, in suburban Massachusetts. First come, first served, no calls please, in perfect condition, what you see is what you get, all parts included, it’s on the curb – just come and see it. with works by: Alcide Breaux Andrew Holmquist Anika Todd Backyard Invasives Project (Dan & Annelies Kamen) Elena Ailes Erin Woodbrey Jesse Malmed Jessica Campbell Kelly Lloyd LTE (Kate Conlon & Boyang Hou) María Luisa Sanin Pena Soline Krug Unyimeabasi Udoh hosted & posted by Annelies Kamen Cosmos Carl https://images.squarespace-cdn.com/content/v1/53eff1fbe4b06637680259dc/1733497099107-49YH867I93XR0FCCNSR1/image-asset.jpeg Currently On View - , things like this 15 November - 14 December, 2024 No Show Space 39 Temple Street London E2 6QQ I’ve stared down enough primed canvases and black screen crashes that even the thought of it induces an immediate feeling of panic in my chest. It’s either, “Oh my god, I have so much work to do…” Or “Oh my god, what happened to all of my work?” And then, “Oh my god, if I can’t find it, I’m gonna have so much work to do…” Do I associate a blank slate, a tabula rasa, only with an unwieldy expectation or an unexpected disaster? But as a visual experience, I find so much pleasure in emptiness. I’ve cried in front of Blinky Palermo’s triangles and will stare out across the water to the horizon for hours. I prefer it, this emptiness. Perhaps because engaging with it requires a different kind of attention and so a different kind of work. But Palermo’s triangles and nature’s horizon aren’t empty of course, they’re blank. They’re not even blank, they’re blank adjacent. They’re relatively blank. And Palermo’s triangles and nature’s horizon aren’t without work of course. They required a lot of work on the part of a lot of people, named and unnamed, to arrive in front of us as relatively blank. But relatively blank in a valued emptiness 留白 (intentionally blank) kind of way, not in a panic-inducing tabula rasa kind of way. In , things like this. Kelly Lloyd presents a new body of work. Lloyd creates installations that combine text, murals, and discrete objects, and writes essays that she occasionally performs. Lloyd interchanges humour, denial, and the personal to maintain a level of indeterminacy in her work that she hopes destabilizes stock relationships between looking, identifying, and understanding. https://images.squarespace-cdn.com/content/v1/53eff1fbe4b06637680259dc/1646137586645-0WQ4T65CIEAOQH1L2OF0/BookCover.jpg Currently On View - Screening the Art World Temenuga Trifonova (ed.) Unlike most studies of the relationship between cinema and art, which privilege questions of medium or institutional specificity and intermediality, Screening the Art World explores the ways in which artists and the art world more generally have been represented in cinema. Contributors address a rarely explored subject -art in cinema, rather than the art of cinema - by considering films across genres, historical periods and national cinemas in order to reflect on cinema’s fluctuating imaginary of ‘art’ and ‘the art world’. The book examines the intersection of art history with history in cinema, cinema’s simultaneous affirmation and denigration of the idea of art as ‘truth’ and what this means for cinema’s understanding of itself, the dominant, often contradictory ways in which artists have been represented on screen, and cinematic representations of the art world’s tenuous position between commercial good and cultural capital. Contributions by Temenuga Trifonova, Katherine Manthorne, Susan Felleman, Brigitte Peucker, Pierre-Antoine Pellerin, Des O’Rawe, A. T. McKenna, Gillian McIver, Christine Sprengler, Annie Dell’Aria, Bruce Alistair Barber, Kate Robertson, Steven Jacobs and Joséphine Vandekerckhove, Kelly Lloyd, Susan Flynn, and Marco de Waard. https://www.aup.nl/en/book/9789463724852/screening-the-art-world#toc https://images.squarespace-cdn.com/content/v1/53eff1fbe4b06637680259dc/1749205333385-GRF55NKKWLXQNR26UIS8/image-asset.jpeg Currently On View - I wish I had somewhere to put it.   6th June - 3rd July 2025 Steam Works Gallery Wentworth House Dormay Street Wandsworth London SW18 1EY Thursday and Friday: 12pm - 6pm. All other times by appointment only. Please message us using this contact us form. In I wish I had somewhere to put it. Kelly Lloyd presents a site-specific installation which reflects on the invisible labour of artist-run spaces through the history of WIP Space, the Shakers, and Albrecht Dürer. https://www.wipspace.co.uk/i-wish-i-had-somewhere-to-put-it https://images.squarespace-cdn.com/content/v1/53eff1fbe4b06637680259dc/1758639418504-2IZK7CISRCMZE10Y5H53/219543.jpeg Currently On View - To Shift a Stone Sophie Mak-Schram and Collaborators National Museum Cardiff, UK 14 June 2025 – 15 February 2026 Website Working with activists, community workers, artists, and museum staff, Sophie developed collaborative ‘tools’ that challenge and reimagine power structures. These tools range from access templates and new working processes to modified megaphones and ceramic pieces, creating opportunities for shared learning and more equitable collaboration. The resulting two-part exhibition, To Shift a Stone, focuses on categorisations (National Museum Cardiff) and forms of assembling (Chapter). At National Museum Cardiff, the exhibition considers how objects are collected and identified, whose voice can be heard when speaking about these objects, and how to interrupt some of the hidden rules of the museum. The exhibition features some of these tools alongside key items from across the museum’s collections, including the Schools Outreach Collection and the Asian Art corridor. It highlights how power shapes what is seen, preserved, and interpreted. https://images.squarespace-cdn.com/content/v1/53eff1fbe4b06637680259dc/1733497629105-3O9FH3I5VRTDZK3JBDQE/image-asset.jpeg Currently On View - HAIR + WAITING HAIR CLUB is an interdisciplinary, research-based art collective whose work dives into the topic of hair in culture. Co-founded in 2014, HAIR CLUB puts forth a socially engaged art historical practice which embraces the many associations of hair in culture – art, popular culture, religion, literature, history, politics, and more – as well as the material of hair itself as it finds its way into artists’ practices across the globe. HAIR AND WAITING emerged from Erika Råberg’s invitation to think about hair itself as a time-based medium. The result is a zine which has been slipped into the pages of fashion magazines already sitting in the waiting rooms of hair salons in Stockholm, London, Rome, and Baltimore – cities where each of us is based. Their discovery is left to chance, as they will fall out of their hiding places when someone flips through a magazine. This publication project was made possible with the support of the Curating Art program at Stockholm University. HAIR CLUB: https://hairhairhair.club Cover Image: Oz Izzet Book Design: Suzanne Gold https://images.squarespace-cdn.com/content/v1/53eff1fbe4b06637680259dc/1733497005594-9QLQKXD182AX9A648S5J/image-asset.jpeg Currently On View - Oh Holi-delay Dilettante Army - Party as Form (Winter 2024) Kelly Lloyd presents a new scientific study on holi-delay, “a condition where people only get excited about holidays after they happen,” that evidences a cultural shift in how we set expectations for meaningful holiday celebrations. Image by: Jen Monroe Hunter-Abrams https://images.squarespace-cdn.com/content/v1/53eff1fbe4b06637680259dc/1642166089560-797SCZ5OR31JZZXS2WJ6/image-asset.jpeg Currently On View - This Thing We Call Art Online Archive + Podcast Since 2017 I’ve been interviewing people in the arts. This is the online archive of excerpts from 50+ interviews I’ve conducted, as well as a podcast of longer excerpts from conversations I had with people in the arts over the last year: thisthingwecallart.com http://www.k-lloyd.com/updatesnews-1 daily 0.75 2021-03-27 http://www.k-lloyd.com/updatesnews-1/2021/3/27/flat-time-house-research-residency-spring-summer-2021 monthly 0.5 2022-12-31 http://www.k-lloyd.com/updatesnews-1/2021/3/10/visual-amp-critical-studies-saic-alum-feature monthly 0.5 2022-12-31 http://www.k-lloyd.com/updatesnews-1/2019/9/28/saic-painting-amp-drawing-alumni-feature monthly 0.5 2022-12-31 http://www.k-lloyd.com/updatesnews-1/2019/9/28/berlin-art-link-when-the-private-becomes-public-transforming-the-home-into-an-exhibition-space-dagmara-genda monthly 0.5 2022-12-31 http://www.k-lloyd.com/updatesnews-1/2019/9/28/artquest-workweek-prize-shortlist monthly 0.5 2022-12-31 http://www.k-lloyd.com/updatesnews-1/2019/6/12/do-over-appropriation-meditation-arile-dionne-krosnick monthly 0.5 2022-12-31 http://www.k-lloyd.com/updatesnews-1/2018/9/6/fine-spind-kunstneren-anno-2018-m-vre-sit-eget-brand-maria-gram monthly 0.5 2022-12-31 http://www.k-lloyd.com/updatesnews-1/2017/10/9/hyperallergic-art-lands-on-las-balconies-porches-and-yards-at-the-terrain-biennial-matt-stromberg monthly 0.5 2022-12-31 http://www.k-lloyd.com/updatesnews-1/2017/8/14/bmore-art-painting-not-painting-terence-hannum monthly 0.5 2022-12-31 http://www.k-lloyd.com/updatesnews-1/2017/6/6/hair-club-paper-cuts-interview monthly 0.5 2022-12-31 http://www.k-lloyd.com/updatesnews-1/2017/5/20/pacto-participants-announced monthly 0.5 2022-12-31 http://www.k-lloyd.com/updatesnews-1/2017/4/24/cine-file-cine-list-friday-apr-21-thursday-apr-27 monthly 0.5 2022-12-31 http://www.k-lloyd.com/updatesnews-1/2017/3/8/2017-janet-walter-sondheim-artscape-prize-semifinalists monthly 0.5 2022-12-31 http://www.k-lloyd.com/updatesnews-1/2017/2/7/maura-callahan-kahlons-cut-up-series-returns-with-audio-visual-exhibition monthly 0.5 2022-12-31 http://www.k-lloyd.com/updatesnews-1/2017/1/3/netcapsule-hottest-summer-on-record-in-america monthly 0.5 2022-12-31 http://www.k-lloyd.com/updatesnews-1/2016/10/11/mca-blog-blacking-out-art-history monthly 0.5 2022-12-31 http://www.k-lloyd.com/updatesnews-1/2016/7/10/project-387-meet-kelly-lloyd monthly 0.5 2022-12-31 http://www.k-lloyd.com/updatesnews-1/2016/6/4/newcity-art-fighting-back-for-womens-rights-a-review-of-your-body-is-a-battleground-at-weinbergnewton-gallery-elizabeth-lalley monthly 0.5 2022-12-31 http://www.k-lloyd.com/updatesnews-1/2016/3/17/z8y18pkmnp7hktf5wys46fbh89ymk0 monthly 0.5 2022-12-31 http://www.k-lloyd.com/updatesnews-1/2016/2/10/newcity-art-review-kelly-lloydthe-sub-mission-amy-haddad monthly 0.5 2022-12-31 http://www.k-lloyd.com/updatesnews-1/2016/2/8/interview-with-makenzi-fricker-for-submission-exhibition monthly 0.5 2022-12-31 http://www.k-lloyd.com/updatesnews-1/2015/11/21/newcity-art-eye-exam-freedom-from-information-elliot-j-reichert monthly 0.5 2022-12-31 http://www.k-lloyd.com/updatesnews-1/2015/10/19/hair-club-awarded-a-2015-propeller-fund-grant monthly 0.5 2022-12-31 http://www.k-lloyd.com/updatesnews-1/2015/9/22/robin-dluzen-art-ltd-review-alex-bradley-cohen-and-kelly-lloyd-at-carrie-secrist-gallery monthly 0.5 2022-12-31 http://www.k-lloyd.com/updatesnews-1/2015/7/3/alex-bradley-cohen-and-kelly-lloyd-at-carrie-secrist-gallery-65-725-2015 monthly 0.5 2022-12-31 http://www.k-lloyd.com/updatesnews-1/2015/7/3/newcity-art-breakout-artists-2015-kelly-lloyd-by-kate-sierzputowski monthly 0.5 2022-12-31 http://www.k-lloyd.com/updatesnews-1/2014/12/11/newcity-art-eye-exam-races-places-and-arts-useful-violence-by-matt-morris monthly 0.5 2022-12-31 http://www.k-lloyd.com/updatesnews-1/2014/11/26/chicago-reader-trunk-show-plasters-artist-created-bumper-stickers-to-a-gallery-on-wheels monthly 0.5 2022-12-31 http://www.k-lloyd.com/updatesnews-1/2014/10/22/trunk-show-exhibition-102614-11am-1pm-palmer-sq monthly 0.5 2022-12-31 http://www.k-lloyd.com/updatesnews-1/2014/9/19/ground-floor-at-expo-booth-814 monthly 0.5 2022-12-31 http://www.k-lloyd.com/updatesnews-1/2014/9/10/the-312-theaster-gates-curates-a-retreat-exhibition-for-black-artists monthly 0.5 2022-12-31 http://www.k-lloyd.com/accept-the-challenge-of-this-mighty-land daily 0.75 2023-07-15 https://images.squarespace-cdn.com/content/v1/53eff1fbe4b06637680259dc/1410544953786-YW0OF443MYG2X6K8HY02/VCInstallation.jpg Accept the CHALLENGE of a mighty land. - Accept the challenge of a mighty land. 2014 Acrylic, Literature Stand, Brochures Valerie Carberry Gallery, Chicago, IL Photo credit: Tom van Eynde https://images.squarespace-cdn.com/content/v1/53eff1fbe4b06637680259dc/1410544953786-YW0OF443MYG2X6K8HY02/VCInstallation.jpg Accept the CHALLENGE of a mighty land. - Accept the challenge of a mighty land. 2014 Acrylic, Literature Stand, Brochures Valerie Carberry Gallery, Chicago, IL Photo credit: Tom van Eynde https://images.squarespace-cdn.com/content/v1/53eff1fbe4b06637680259dc/1410379565443-IS06P0VTL0XKSK9EBT6R/brochure+crop.jpg Accept the CHALLENGE of a mighty land. - Accept the challenge of a mighty land. 2014 Acrylic, Literature Stand, Brochures Valerie Carberry Gallery, Chicago, IL Photo credit: Tom van Eynde https://images.squarespace-cdn.com/content/v1/53eff1fbe4b06637680259dc/1425489218756-KXO37NFC2STT2A2ZIUGE/image-asset.jpeg Accept the CHALLENGE of a mighty land. - Accept the CHALLENGE of a mighty land. 2014 Acrylic, Digiboard Hyde Park Art Center, Chicago, IL https://images.squarespace-cdn.com/content/v1/53eff1fbe4b06637680259dc/1425489363434-M0ZXUGLRNVVCH7IT1UCM/image-asset.jpeg Accept the CHALLENGE of a mighty land. - Accept the CHALLENGE of a mighty land. - Foyer Detail 2014 Acrylic, Digiboard Hyde Park Art Center, Chicago, IL photo credit: Tom van Eynde https://images.squarespace-cdn.com/content/v1/53eff1fbe4b06637680259dc/1425490339108-V6VX9SWG1BBS0OBXY251/image-asset.jpeg Accept the CHALLENGE of a mighty land. - Accept the CHALLENGE of a mighty land. Digi board Clip https://images.squarespace-cdn.com/content/v1/53eff1fbe4b06637680259dc/1435951835421-XM2FVVZZ4NKFE0G83M4L/image-asset.jpeg Accept the CHALLENGE of a mighty land. - Accept the CHALLENGE of a mighty land. 2015 Acrylic h. 15' x w. 67' Carrie Secrist Gallery, Chicago, IL https://images.squarespace-cdn.com/content/v1/53eff1fbe4b06637680259dc/1536324647097-SKBWACQYYRYKJGFGX9EA/2018_0130_Eclipsing_Exhibition_sarapooley_067_preview_2047.jpeg Accept the CHALLENGE of a mighty land. - Accept the CHALLENGE of a mighty land. 2018 Acrylic Arts Incubator, Chicago, IL Press Release https://images.squarespace-cdn.com/content/v1/53eff1fbe4b06637680259dc/1536324698166-CHLDP7YPYKIZN6FHRIF0/2018_0130_Eclipsing_Exhibition_sarapooley_023_preview_2047.jpeg Accept the CHALLENGE of a mighty land. - Accept the CHALLENGE of a mighty land. 2018 Acrylic Arts Incubator, Chicago, IL https://images.squarespace-cdn.com/content/v1/53eff1fbe4b06637680259dc/1536324015056-066AIXV03057X9V6GRNQ/2018_0130_Eclipsing_Exhibition_sarapooley_022_preview_1800.jpeg Accept the CHALLENGE of a mighty land. - Accept the CHALLENGE of a mighty land. 2018 Acrylic Arts Incubator, Chicago, IL https://static1.squarespace.com/static/53eff1fbe4b06637680259dc/5b925ebc032be49d6857f86f/5b92727870a6adc1daadf8e6/1536324216484/ Accept the CHALLENGE of a mighty land. https://images.squarespace-cdn.com/content/v1/53eff1fbe4b06637680259dc/1578753337636-IEYB4OAGCPIHAA32N0ZK/ExceptionalPromise_1.jpg Accept the CHALLENGE of a mighty land. - Accept the CHALLENGE of a mighty land. 2014, RETREAT, Richard Gray Gallery 2019 Acrylic, Literature Stand, Brochures, Dirty House Gallery, London, U.K. Art Licks Weekend & Terrain Biennial https://images.squarespace-cdn.com/content/v1/53eff1fbe4b06637680259dc/1578753340980-R52N5GAUUNVH9YGK3N2V/Copy%2Bof%2BExceptionalPromise_7.jpg Accept the CHALLENGE of a mighty land. - Accept the CHALLENGE of a mighty land. 2014, RETREAT, Richard Gray Gallery 2019 Acrylic, Literature Stand, Brochures, Dirty House Gallery, London, U.K. Art Licks Weekend & Terrain Biennial http://www.k-lloyd.com/fluc-billboards daily 0.75 2018-09-07 https://images.squarespace-cdn.com/content/v1/53eff1fbe4b06637680259dc/1526635381801-MJDUWRQ5JKGBKKPP90O7/MarcusGarveyWebsiteImage.jpg Fluc Billboards - Fleeting Monument for the Wall of Respect (Marcus Garvey) May 16 - June 16, 2018 Fluc, Praterstern 5, 1020 Vienna, Austria https://images.squarespace-cdn.com/content/v1/53eff1fbe4b06637680259dc/1526635381801-MJDUWRQ5JKGBKKPP90O7/MarcusGarveyWebsiteImage.jpg Fluc Billboards - Fleeting Monument for the Wall of Respect (Marcus Garvey) May 16 - June 16, 2018 Fluc, Praterstern 5, 1020 Vienna, Austria https://images.squarespace-cdn.com/content/v1/53eff1fbe4b06637680259dc/1526637218717-VJYRKQEI4HAU4D5OXGJL/MonkColtrane.jpg Fluc Billboards - Fleeting Monument for the Wall of Respect (Thelonious Monk and John Coltrane) May 16 - June 16, 2018 Fluc, Praterstern 5, 1020 Vienna, Austria http://www.k-lloyd.com/kelly-lloyd daily 0.75 2020-01-11 https://images.squarespace-cdn.com/content/v1/53eff1fbe4b06637680259dc/1536322025397-JWP9NRV4GFV6E52GV073/Screen+Shot+2018-09-07+at+2.03.41+PM.png Kelly Lloyd - The Other Kelly ICA Baltimore August 1, 2018 In this public conversation, Kelly E. Lloyd and Kelly E. Lloyd will interview one another delving into their shared and digressive histories as artists, educators and people named Kelly E. Lloyd. Taking their shared name as both a starting point and a good enough reason to be in conversation, these Kelly E. Lloyds will try to answer the age old question, "Would a rose by any other name smell as sweet?" https://images.squarespace-cdn.com/content/v1/53eff1fbe4b06637680259dc/1536322025397-JWP9NRV4GFV6E52GV073/Screen+Shot+2018-09-07+at+2.03.41+PM.png Kelly Lloyd - The Other Kelly ICA Baltimore August 1, 2018 In this public conversation, Kelly E. Lloyd and Kelly E. Lloyd will interview one another delving into their shared and digressive histories as artists, educators and people named Kelly E. Lloyd. Taking their shared name as both a starting point and a good enough reason to be in conversation, these Kelly E. Lloyds will try to answer the age old question, "Would a rose by any other name smell as sweet?" https://images.squarespace-cdn.com/content/v1/53eff1fbe4b06637680259dc/1462137736820-WLD65GHFSMH3V15GHR3J/KellyLloyd.jpg Kelly Lloyd - Kelly Lloyd 2016 Business Cards 6" x 4" x 4" https://images.squarespace-cdn.com/content/v1/53eff1fbe4b06637680259dc/1536321372854-ZD858KFPE0LVXSNI2RLD/tumblr_inline_pd3dvx48vH1qir39u_1280.jpg Kelly Lloyd - Kelly Lloyd II- Installation View 2018 Business Cards 6" x 4" x 4" Matt Morris: Splitsville smells like irises, Tiger Strikes Asteroid, Brooklyn, NY https://images.squarespace-cdn.com/content/v1/53eff1fbe4b06637680259dc/1536321029359-L76W36XFNG98TAPOBQVJ/tumblr_inline_pd3dvtmUwn1qir39u_1280.jpg Kelly Lloyd - "Splitsville smells like irises"- Installation View Photograph Credit: Yael Eban Matt Morris: Splitsville smells like irises, Tiger Strikes Asteroid, Brooklyn, NY https://images.squarespace-cdn.com/content/v1/53eff1fbe4b06637680259dc/1458324729875-E5Q6FBF4G2VTYP6GLWXL/image-asset.jpeg Kelly Lloyd - Everything I Have "Borrowed" and Am Unlikely to Return 2016 Gift Basket 24" x 15" x 10" https://images.squarespace-cdn.com/content/v1/53eff1fbe4b06637680259dc/1458325089171-KRH1ZEBR4E46SKJE594T/image-asset.jpeg Kelly Lloyd - Kitchen Junk Drawer 2016 Gift Basket 25" x 12" x 11" https://images.squarespace-cdn.com/content/v1/53eff1fbe4b06637680259dc/1458324899714-G5A1GM96GD5UUIX305X9/image-asset.jpeg Kelly Lloyd - Everything In & On My Nightstand 2016 Gift Basket 46" x 20" x 14" https://images.squarespace-cdn.com/content/v1/53eff1fbe4b06637680259dc/1458599218673-IWUQ4MYJLBT8UXY39QOV/image-asset.jpeg Kelly Lloyd 2016 Shane Campbell Gallery, Chicago, IL https://images.squarespace-cdn.com/content/v1/53eff1fbe4b06637680259dc/1435952911107-H1SMMPQH76ZMRKJP0OQ7/image-asset.jpeg Kelly Lloyd - KELLY 2015 Ink h.12'4" x w. 7'8" x d. 12'6" Chicago Artists Coalition, Chicago, IL https://images.squarespace-cdn.com/content/v1/53eff1fbe4b06637680259dc/1435952949375-QTEXT66C3F9FFCWAILUW/image-asset.jpeg Kelly Lloyd - KELLY- Detail 2015 Ink h.12'4" x w. 7'8" x d. 12'6" Chicago Artists Coalition, Chicago, IL https://images.squarespace-cdn.com/content/v1/53eff1fbe4b06637680259dc/1454953500774-5204YIY3SG5QE84E63UX/image-asset.jpeg Kelly Lloyd - HALF BAGEL HALF SKIN 2015 Tear Off Flyer Dimensions Variable http://www.k-lloyd.com/the-color-of-my-skin daily 0.75 2019-06-01 https://images.squarespace-cdn.com/content/v1/53eff1fbe4b06637680259dc/1410379422060-6YIRKQZDSIIWT0WGBVHP/Websiteipaintedtheelevatordoors.jpg C1, 21,1-­‐E0,13,0-­‐KX0,22,1-­‐V0,37,0. - I painted the elevator doors the color of my skin. C1, 21,1-­‐E0,13,0-­‐KX0,22,1-­‐V0,37,0. 2014 Acrylic on Elevator Doors h. 7' x w. 40' Sullivan Galleries, Chicago, IL https://images.squarespace-cdn.com/content/v1/53eff1fbe4b06637680259dc/1410379422060-6YIRKQZDSIIWT0WGBVHP/Websiteipaintedtheelevatordoors.jpg C1, 21,1-­‐E0,13,0-­‐KX0,22,1-­‐V0,37,0. - I painted the elevator doors the color of my skin. C1, 21,1-­‐E0,13,0-­‐KX0,22,1-­‐V0,37,0. 2014 Acrylic on Elevator Doors h. 7' x w. 40' Sullivan Galleries, Chicago, IL https://images.squarespace-cdn.com/content/v1/53eff1fbe4b06637680259dc/1480547078103-2RTPN43EPB3Q27GVMNBH/Corpor.jpg C1, 21,1-­‐E0,13,0-­‐KX0,22,1-­‐V0,37,0. - I painted the pillar the color of my skin. 2016 Acrylic h. 9' x w. 17" x d. 17" Indianapolis Museum of Contemporary Art https://images.squarespace-cdn.com/content/v1/53eff1fbe4b06637680259dc/1410118817478-PLAJEINWOZ6K133PI06A/image-asset.jpeg C1, 21,1-­‐E0,13,0-­‐KX0,22,1-­‐V0,37,0. - I painted the inside of the elevator the color of my skin. C1,21,1-E0,13,0-KX0,22,1-V0,37,0. 2014 Acrylic ADDS DONNA, Chicago IL https://images.squarespace-cdn.com/content/v1/53eff1fbe4b06637680259dc/1480547675040-TL3DWAT6W0EVINKHAFCS/IMG_4759.JPG C1, 21,1-­‐E0,13,0-­‐KX0,22,1-­‐V0,37,0. - File Cabinet Full of Rorschach Blots Made with Acrylic Paint the Color of My Skin Inside File Folders 2014-2016 File Cabinet, Acrylic, File Folders w. 15" x h. 29" x d. 25" Sector 2337, Chicago, IL https://images.squarespace-cdn.com/content/v1/53eff1fbe4b06637680259dc/1442955536132-BB6EPXQQ3YZM4CHTXSMM/image-asset.jpeg C1, 21,1-­‐E0,13,0-­‐KX0,22,1-­‐V0,37,0. - File Cabinet Full of Rorschach Blots Made with Acrylic Paint the Color of My Skin Inside File Folders 2014-2016 File Cabinet, Acrylic, File Folders w. 15" x h. 29" x d. 25" President's Gallery, Chicago, IL https://images.squarespace-cdn.com/content/v1/53eff1fbe4b06637680259dc/1410379982667-F0IEG7VZCI7VF6EOD10Z/Untitled+Bloch.jpg C1, 21,1-­‐E0,13,0-­‐KX0,22,1-­‐V0,37,0. - Blot Detail 2014- Present Acrylic on Manila Folder h. 11.5" x w. 18" http://www.k-lloyd.com/ica-baltimore daily 0.75 2020-07-28 https://images.squarespace-cdn.com/content/v1/53eff1fbe4b06637680259dc/1536321548978-0X9GDNJ7WL1MNRKIPMUR/ICA_KellyLloyd_2018-1.jpg ICA Baltimore https://images.squarespace-cdn.com/content/v1/53eff1fbe4b06637680259dc/1536321548978-0X9GDNJ7WL1MNRKIPMUR/ICA_KellyLloyd_2018-1.jpg ICA Baltimore https://static1.squarespace.com/static/53eff1fbe4b06637680259dc/5b925f9eaa4a99c43510a2d5/5b926824c2241bb6b434d926/1536321572313/ ICA Baltimore https://images.squarespace-cdn.com/content/v1/53eff1fbe4b06637680259dc/1536321574234-CXP0GBZC5DK00SZX2QUI/ICA_KellyLloyd_2018-2.jpg ICA Baltimore https://static1.squarespace.com/static/53eff1fbe4b06637680259dc/5b925f9eaa4a99c43510a2d5/5b92687c03ce64853a95e34c/1536321863775/ ICA Baltimore https://images.squarespace-cdn.com/content/v1/53eff1fbe4b06637680259dc/1536321662528-DOK342AVWIS62105VDAZ/ICA_KellyLloyd_2018-3.jpg ICA Baltimore https://images.squarespace-cdn.com/content/v1/53eff1fbe4b06637680259dc/1536321684851-9IT340F83VCAZ2V65XZQ/ICA_KellyLloyd_2018-6.jpg ICA Baltimore https://images.squarespace-cdn.com/content/v1/53eff1fbe4b06637680259dc/1536321711017-Q6GPD3PLAHQUZPRFEB41/ICA_KellyLloyd_2018-11.jpg ICA Baltimore https://images.squarespace-cdn.com/content/v1/53eff1fbe4b06637680259dc/1536321897852-MO1C72FFDR9KCY904HLE/Screen+Shot+2018-09-07+at+2.04.03+PM.png ICA Baltimore http://www.k-lloyd.com/et-cetera daily 0.75 2026-01-15 https://images.squarespace-cdn.com/content/v1/53eff1fbe4b06637680259dc/1768495326190-QS504Q6VP6U4H3RYHL5M/image-asset.jpeg Et cetera Four Burners 2025 ink on paper and tape POST POST POST: 10 Years of the Western Pole, Patient Info, Chicago, U.S.A. https://images.squarespace-cdn.com/content/v1/53eff1fbe4b06637680259dc/1768495326190-QS504Q6VP6U4H3RYHL5M/image-asset.jpeg Et cetera Four Burners 2025 ink on paper and tape POST POST POST: 10 Years of the Western Pole, Patient Info, Chicago, U.S.A. https://images.squarespace-cdn.com/content/v1/53eff1fbe4b06637680259dc/1662836745699-DVOR9U7CMP6DFHIRBE88/image-asset.jpeg Et cetera - **CURB ALERT** 2022 Sign Online (Cosmos Carl) & Sudbury, U.S.A. https://images.squarespace-cdn.com/content/v1/53eff1fbe4b06637680259dc/1632238676020-A66Y11H1EI7JFLOBN46N/IMG_7252.JPG Et cetera - Window Templates for Public Art: Volume 3 Limited Time Engagement October 2020 https://images.squarespace-cdn.com/content/v1/53eff1fbe4b06637680259dc/1468202242652-H7HTYEVZCW7KSLV95VKX/WebsiteIMage.jpg Et cetera - Neighborhood Bars (6) 2016 Vinyl Carus Gallery, Cleveland, OH https://images.squarespace-cdn.com/content/v1/53eff1fbe4b06637680259dc/1446320821916-8JPLH7OXPGJV9X3FOT7N/image-asset.jpeg Et cetera - New York Times Cosmopolitan 2015 Vinyl h. 12' x w. 15'5" Carrie Secrist Gallery, Chicago, IL https://images.squarespace-cdn.com/content/v1/53eff1fbe4b06637680259dc/1470269579320-1OV47OUVCIL4MYT4COA6/KJM.jpg Et cetera - Black Out 2016 Redacted Gardner’s Art Through the Ages 9” x 2.5” x 11.5” “Blacking Out Art History”, Museum of Contemporary Art Chicago- Blog, October, 11, 2016. https://images.squarespace-cdn.com/content/v1/53eff1fbe4b06637680259dc/1465574370596-9OIRXB1XD8S1ULHC84PJ/USC5.jpg Et cetera - Re:Place A-Frame Sign, 2016 Zephyr Gallery, 610 E. Market St, Louisville, KY 40202 https://images.squarespace-cdn.com/content/v1/53eff1fbe4b06637680259dc/1446323010397-KHHI050PRKAM3291WBJF/image-asset.jpeg Et cetera - Dylann Roof Manifesto 2015 Tear-Off Flyer h. 17" x w. 11" Corner of Milwaukee Ave and Sawyer Ave, Chicago, IL https://images.squarespace-cdn.com/content/v1/53eff1fbe4b06637680259dc/1454953556810-TUX3B5D87Q6YUF6EHA84/image-asset.jpeg Et cetera - 40 Acres 2015 Tear-Off Flyer Dimensions Variable Western Pole, Chicago, IL https://images.squarespace-cdn.com/content/v1/53eff1fbe4b06637680259dc/1414701684737-D4LO9VV7TGIJ1XHOEBZC/10636197_797885928182_7747592361784888525_n.jpg Et cetera - KELLY LLOYD FOR TRUNK SHOW 2014 Bumper Sticker https://images.squarespace-cdn.com/content/v1/53eff1fbe4b06637680259dc/1421102252892-631MAYITCBYI39GCDL4X/image-asset.jpeg Et cetera - I CALL SUPER BULLSHIT 2013 Construction Paper, Manilla Folder h. 3" x w. 45" x d. .5"   https://images.squarespace-cdn.com/content/v1/53eff1fbe4b06637680259dc/1446322067204-GAJNWXV2PKKGU5WF05B2/image-asset.jpeg Et cetera - Pizza Merkin 2015 Felt, Puff Paint, Faux-Feathers Made at HAIR CLUB's Merkin Making Workshop, Shapiro Research Symposium, School of the Art Institute of Chicago, Chicago, IL https://static1.squarespace.com/static/53eff1fbe4b06637680259dc/5b94c7a170a6adfadf3c6296/5c011855aa4a997ffe11f493/1543575637047/ Et cetera https://images.squarespace-cdn.com/content/v1/53eff1fbe4b06637680259dc/1543575647034-0AIKORTMQ3MJMAZV17NR/Economies-Before.jpg Et cetera - Economies (Before) Collaboration with Sabina Ott Ceramics, Bartered Items 2017 ‘sindikit, Baltimore, U.S.A. https://images.squarespace-cdn.com/content/v1/53eff1fbe4b06637680259dc/1543575729764-HSSAR10EPZY83ITUJ9RM/Economies-After.jpg Et cetera - Economies (After) Collaboration with Sabina Ott Ceramics, Bartered Items 2017 ‘sindikit, Baltimore, U.S.A. http://www.k-lloyd.com/toilet-humour daily 0.75 2021-09-17 https://images.squarespace-cdn.com/content/v1/53eff1fbe4b06637680259dc/1543927412446-L9FX38WQL6BMD20W1CGG/FrancisBaconToiletPaper.jpg Toilet Humour - Francis Bacon Toilet Paper 2013 Paper, Toilet Paper Holder h. 6” x w. 6” https://images.squarespace-cdn.com/content/v1/53eff1fbe4b06637680259dc/1543927412446-L9FX38WQL6BMD20W1CGG/FrancisBaconToiletPaper.jpg Toilet Humour - Francis Bacon Toilet Paper 2013 Paper, Toilet Paper Holder h. 6” x w. 6” https://images.squarespace-cdn.com/content/v1/53eff1fbe4b06637680259dc/1410379986865-CWJLIZYAD1NYZWON4NHB/My+C1%2C21%2C1-E13-KX22%2C1-V37.jpg Toilet Humour - C1, 21,1-­‐E0,13,0-­‐KX0,22,1-­‐V0,37,0. 2013 Acrylic, Paint Can h. 6" x d. 3' x w. 3' https://images.squarespace-cdn.com/content/v1/53eff1fbe4b06637680259dc/1410379972609-DHL1CZ8LYEKNJIAX6IRO/BarnesDenial.jpg Toilet Humour - Barnes Denial 2013 Wooden Chair, Ribbon h. 31" x w. 20" x d. 17" https://images.squarespace-cdn.com/content/v1/53eff1fbe4b06637680259dc/1446324045934-F46WE8SZYT6BN22JMWVT/image-asset.jpeg Toilet Humour - ThreeWalls Private Bathroom 2015 Acrylic, Bathroom Fixtures and Suzanne Gold, Interior 1, Screenprint on Fabric, h. 22" x w. 24" Before and After Picture of Installation in ThreeWalls' Private Bathroom for Double Cherry     https://images.squarespace-cdn.com/content/v1/53eff1fbe4b06637680259dc/1446323970183-UM16B7WTGQKG1C0ASXFF/image-asset.jpeg Toilet Humour - ThreeWalls Public Bathroom 2015 Acrylic, Bathroom Fixtures Before and After Picture of Installation in ThreeWalls' Public Bathroom for Double Cherry https://images.squarespace-cdn.com/content/v1/53eff1fbe4b06637680259dc/1435953072558-JAGPLQ59SZ0O3AHOHY3Z/image-asset.jpeg Toilet Humour - THERE'S NOTHING HERE 2015 Toilet Paper h. 2' x w. 4' x d. 4' Carrie Secrist Gallery, Chicago, IL https://images.squarespace-cdn.com/content/v1/53eff1fbe4b06637680259dc/1458599047804-MPGBLLRLDPMWECIOIR8T/image-asset.jpeg Toilet Humour - Rhymes with Scatology 2016 Vinyl Shane Campbell Gallery, Chicago, IL https://images.squarespace-cdn.com/content/v1/53eff1fbe4b06637680259dc/1547561987374-FTE82CQ3CGQSMYBZ2X2P/Maybeitwoudopenupyourego-2.jpg Toilet Humour - Center Program Participant I 2016 Tear-Off Flyer h. 11” x w. 8.5” “New Business”, Hyde Park Arts Center, Chicago, IL https://static1.squarespace.com/static/53eff1fbe4b06637680259dc/5c3b7e060ebbe85c2b8f7334/5c3deaef40ec9a63ad4b5cfb/1547561711795/ Toilet Humour https://images.squarespace-cdn.com/content/v1/53eff1fbe4b06637680259dc/1547561717503-KFTRZJ62NO11QH2Y2842/IMG_0447.JPG Toilet Humour - Center Program Participant III 2016 Tear-Off Flyer h. 11” x w. 8.5” “New Business” Hyde Park Arts Center, Chicago, IL https://static1.squarespace.com/static/53eff1fbe4b06637680259dc/5c3b7e060ebbe85c2b8f7334/5c3deb3188251bf01ab11cb5/1547561862448/ Toilet Humour https://images.squarespace-cdn.com/content/v1/53eff1fbe4b06637680259dc/1547561782443-XO1HV0SQSZOG0AMUS7UR/IMG_0449.JPG Toilet Humour - Center Program Participant V (Disrupted) 2016 Tear-Off Flyer h. 11” x w. 8.5” “New Business” Hyde Park Arts Center, Chicago, IL http://www.k-lloyd.com/old-town-road-1 daily 0.75 2019-12-09 https://images.squarespace-cdn.com/content/v1/53eff1fbe4b06637680259dc/1570458948556-0C91G8PK915Y09OHFPN3/1.jpg Old Town Road https://images.squarespace-cdn.com/content/v1/53eff1fbe4b06637680259dc/1570458948556-0C91G8PK915Y09OHFPN3/1.jpg Old Town Road Photo Credit: Hannah Farrell https://images.squarespace-cdn.com/content/v1/53eff1fbe4b06637680259dc/1570455590916-TAN0Q4KILMYSZWXM0B1V/2.jpg Old Town Road Photo Credit: Hannah Farrell https://images.squarespace-cdn.com/content/v1/53eff1fbe4b06637680259dc/1570455607332-XV08PZZE7O711G50NFMX/3.jpg Old Town Road Photo Credit: Hannah Farrell https://images.squarespace-cdn.com/content/v1/53eff1fbe4b06637680259dc/1570455627283-K0IEXQ0XFC1P6D5AQDZA/4.jpg Old Town Road Photo Credit: Hannah Farrell https://images.squarespace-cdn.com/content/v1/53eff1fbe4b06637680259dc/1570455643719-RD4BBOFREC43A252HE2F/5.jpg Old Town Road Photo Credit: Hannah Farrell http://www.k-lloyd.com/exceptional-promise daily 0.75 2020-01-11 https://images.squarespace-cdn.com/content/v1/53eff1fbe4b06637680259dc/1575894406638-QDR9COC26MNU6N1GNBNM/ExceptionalPromise_1.jpg Exceptional Promise Photo Credit: Hannah Farrell https://images.squarespace-cdn.com/content/v1/53eff1fbe4b06637680259dc/1575894406638-QDR9COC26MNU6N1GNBNM/ExceptionalPromise_1.jpg Exceptional Promise Photo Credit: Hannah Farrell https://images.squarespace-cdn.com/content/v1/53eff1fbe4b06637680259dc/1575894241170-9YXG1NDJ2T4ZKZJB8BBW/ExceptionalPromise_2.jpg Exceptional Promise Photo Credit: Hannah Farrell https://images.squarespace-cdn.com/content/v1/53eff1fbe4b06637680259dc/1575894267668-HBF9UI1NIBS6YRNUJTMT/ExceptionalPromise_13.jpg Exceptional Promise Photo Credit: Hannah Farrell https://images.squarespace-cdn.com/content/v1/53eff1fbe4b06637680259dc/1575894246966-7YSULJBJXO168TEY0P1Y/ExceptionalPromise_8.jpg Exceptional Promise Photo Credit: Hannah Farrell https://images.squarespace-cdn.com/content/v1/53eff1fbe4b06637680259dc/1575894259603-96QV8D16W3LBIHO8G0YT/ExceptionalPromise_9.jpg Exceptional Promise Photo Credit: Hannah Farrell https://images.squarespace-cdn.com/content/v1/53eff1fbe4b06637680259dc/1575894254305-09FDOT1L4Q96Y5M95QD4/ExceptionalPromise_10.jpg Exceptional Promise Photo Credit: Hannah Farrell https://images.squarespace-cdn.com/content/v1/53eff1fbe4b06637680259dc/1575894265381-O0APDE3GDYT90IUMT4PX/ExceptionalPromise_18.jpg Exceptional Promise Photo Credit: Hannah Farrell http://www.k-lloyd.com/in-the-studio daily 0.75 2020-01-11 https://images.squarespace-cdn.com/content/v1/53eff1fbe4b06637680259dc/1578742953899-KRXNF80WWG5LP2BPQ5WI/Copy+of+11-14-19_Kelly-Lloyd_001.JPG In the Studio Jay Dipersia, 2018 (The Good Fight), 2019, Framed Photograph, 13.3” x 10.5” https://images.squarespace-cdn.com/content/v1/53eff1fbe4b06637680259dc/1578742953899-KRXNF80WWG5LP2BPQ5WI/Copy+of+11-14-19_Kelly-Lloyd_001.JPG In the Studio Jay Dipersia, 2018 (The Good Fight), 2019, Framed Photograph, 13.3” x 10.5” https://images.squarespace-cdn.com/content/v1/53eff1fbe4b06637680259dc/1578742965756-VEX9GW2YXHOH6BMZB3Y0/Copy+of+11-14-19_Kelly-Lloyd_003.JPG In the Studio Booth Jonathan, 2013 (Girls), 2019, Framed Photograph, 10” x 13” https://images.squarespace-cdn.com/content/v1/53eff1fbe4b06637680259dc/1578742954154-1B64ZXCE5BFZ4IDXA9ZE/Copy+of+11-14-19_Kelly-Lloyd_002.JPG In the Studio Declan Howell, 1959 (Marvelous Mrs. Maisel), 2019, Framed Photograph, 9 .75” x 11.75” https://images.squarespace-cdn.com/content/v1/53eff1fbe4b06637680259dc/1578742964774-4M9Y4YM2SA4NYNZBNDT1/Copy+of+11-14-19_Kelly-Lloyd_005.JPG In the Studio Barkley, 1998 (Sex and the City), 2019, Framed Photograph, 9.75” x 7.68” http://www.k-lloyd.com/the-just-business-agency/its-just-television daily 0.75 2023-04-04 https://images.squarespace-cdn.com/content/v1/53eff1fbe4b06637680259dc/1680100883940-V52XO6KMV96DY7JWXBPK/image-asset.jpeg It's Just Television - It's Just Television March 26, 2019, 16h @ rum46, Aarhus, Denmark March 26 - April 9, 2019, Online, ACRETV The Just Business Agency will interrupt normal programming to present It's Just Television, a television special featuring By Way of Today, CaylaMae, CaW Research Group, Stephanie Graham, Leslie Lawrence, Jesse Malmed, The MorphoTransverse Method, Nice Talk, Postmodern Talking and Lea Devon Sorrentino. https://images.squarespace-cdn.com/content/v1/53eff1fbe4b06637680259dc/1680100883940-V52XO6KMV96DY7JWXBPK/image-asset.jpeg It's Just Television - It's Just Television March 26, 2019, 16h @ rum46, Aarhus, Denmark March 26 - April 9, 2019, Online, ACRETV The Just Business Agency will interrupt normal programming to present It's Just Television, a television special featuring By Way of Today, CaylaMae, CaW Research Group, Stephanie Graham, Leslie Lawrence, Jesse Malmed, The MorphoTransverse Method, Nice Talk, Postmodern Talking and Lea Devon Sorrentino. https://images.squarespace-cdn.com/content/v1/53eff1fbe4b06637680259dc/1680101281724-EP4R2O514XE5E8VAYKU7/BecomingBaroness2.jpeg It's Just Television - Becoming Baroness Lea Devon Sorrentino Becoming Baroness is an exploration of identity, class and status through the lens of the popular reality television series "The Real Housewives". Website https://images.squarespace-cdn.com/content/v1/53eff1fbe4b06637680259dc/1680101373263-3C6WJWFAJC6KLTIL1T8X/BuyingIn.png It's Just Television - Buying In Jesse Malmed Literalizing the advertising industry’s parasitic relationship with the avant-garde, the middlemen have stepped away and canonical figures of experimental media pitch you directly. Website https://images.squarespace-cdn.com/content/v1/53eff1fbe4b06637680259dc/1680101467924-6WKZUHQIICSH3DF3VVLG/ByWayofToday.jpeg It's Just Television - It's About Time: By Way of Today Comes Clean on Soaps By Way of Today By Way of Today is an expanded soap opera guided by Cameron Gibson and Kyle Schlie. Website https://images.squarespace-cdn.com/content/v1/53eff1fbe4b06637680259dc/1680101558203-LHX65HRFT1G3D8ZDFJKJ/graduatewithsammie.jpeg It's Just Television - CaylaMae Produced for CaylaMae by Cayla Lockwood and Jordy Brazo. CaylaMae offers affordable loans to pay for your choice of sandwich. Website https://images.squarespace-cdn.com/content/v1/53eff1fbe4b06637680259dc/1680101693846-MKVDT3W1XZ8IJ9D33TTK/GuiltSavers2.jpeg It's Just Television - Guilt Savers Created by Lea Devon Sorrentino//Shot by Samuel Johnson// Contribution from Lauren Klien Guilt Savers is a service aesthetic project that assumes the persona of house flipping companies like “We Buy Ugly Houses”, a business that purchases homes from desperate sellers who need cash quickly. This commercial is an introduction to Guilt Savers, a company that will absolve white men of their guilt towards structural oppression without them having to lift a finger. Since physical space is something humans decided has borders to occupy and own, sell and trade, why not Guilt? Guilt abolition is the newest commodity with high demand and unequal distribution. This market is a new frontier and Guilt Savers wants to be at the forefront of development. America is known for its commodification of experiences and goods. Most consumerism focuses on filling a need or a desire but that line is blurred due to the mental relationship we have with consuming. What we can own and acquire becomes an outward manifestation of our worth, without an internal relief from societal expectation. Compound consumption with structural inequality and the chances of being able to clearly make autonomous decisions is almost impossible. The mental load of the consumer is constantly increasing, especially if you are a woman or part of a marginalized population. Within Capitalism consuming is considered a representation of success. In this system white wealthy men maintain status and control because of their purchasing power. Guilt Savers highlight the hypocrisy to who has access to relief within a system that was constructed for a specific group of people. Website https://images.squarespace-cdn.com/content/v1/53eff1fbe4b06637680259dc/1680101814819-0K5T4FN7BYSBK1TKNUU9/TheMorphoTransverseMethod.png It's Just Television - The MorphoTransverse Method DECIDE. COMMIT. THRIVE. The MorphoTransverse Method updates ancient health practices for the modern fitness world—all you need to do is be PRESENT. Together, we’ll turn your goals into results, and uncover your level of happiness and stability so that you can reach a superior state of existence Website https://images.squarespace-cdn.com/content/v1/53eff1fbe4b06637680259dc/1680101903681-X0GTQKZ6Z9E0YLVZC8V9/NiceTalk.png It's Just Television - Nice Talk Keff and Dan agents of decency, guardians of the kindness sphere, creators of Nice Talk. Daily meditations on Instagram @nicetalkshow Website https://images.squarespace-cdn.com/content/v1/53eff1fbe4b06637680259dc/1680101958998-C06YOV7MOBH7N9HPDJPO/Postmodern+Talking.png It's Just Television - Postmodern Talking Postmodern Talking ist die ultimative Unterhaltungs-Show gegen die ganze Familie. Inszeniert von sieben Performerinnen und Performer rund um Tollwut-Talker Franz-Xaver Franz, wurde Staffel Eins am Rundgang der Kunsthochule für Medien 2017 aufgezeichnet. Website https://images.squarespace-cdn.com/content/v1/53eff1fbe4b06637680259dc/1680102001924-H05OLYNP69LOHY91WGX5/SBE.png It's Just Television - The Selected Black Experience Council Stephanie Graham The Selected Black Experience Council (SBE) is an exclusive organization invested in giving non-black allies the opportunity to engage in black culture. Website https://images.squarespace-cdn.com/content/v1/53eff1fbe4b06637680259dc/1680102067035-PEN44NSXI0TSIMYDSQZS/Telling%2Bme%2Bnot%2Bto%2Btry%2Band%2Bseduce%2Byour%2Bdad%2Bis%2Bmoralising%2Band%2Ba%2Bkind%2Bof%2Bviolence%2Bagainst%2Bme.png It's Just Television - Telling me not to try and seduce your dad is moralising and a kind of violence against me Leslie Lawrence A message from the non-systematic union for "telling me not to try and seduce your dad is moralising and a kind of violence against me". Website https://images.squarespace-cdn.com/content/v1/53eff1fbe4b06637680259dc/1680102202016-EBTTR13P5V97P36WFJSG/What%2BDo%2BArtists%2BDo%2BAll%2BDay_.png It's Just Television - What Do Artists Do All Day? CaW Research Group CaW was a research group founded in 2014, consisting of 9 recent BA Fine Art graduates from Central St Martins: exploring the proposition that fine art practice per se is a model for resilience (psychologically, socially and culturally). CaW’s activity was a critical evaluation of their experiences as they tried to sustain their practices in the wider world beyond university. CaW discussed, performed and documented the individual and collective experience of the practical, social and political strategies in which the artist has to undertake to survive. We proposed a system of resilience, of collaboration, entropy and pretense. Members included the artists Sophie Chapman, Sid Charity, Carolina Escobar Diaz, Angus Frost, Georgia Gendall, Bryony Hussey, Lou Macnamara, Laila Musawi and Andra Roduca. Website https://images.squarespace-cdn.com/content/v1/53eff1fbe4b06637680259dc/1680102292692-939IHUZNXYYO6KTJ2X5Y/YouNeedHelp3.jpeg It's Just Television - You Need Help Lea Devon Sorrentino Do you have the feeling like something is wrong, missing, uncomfortable, moving to fast, moving to slow, overwhelming, awkward, misunderstood, kinda lonely, too crowded, out of control, too good to be true, out of reach, beneath you, above you, dried up, dumb, out smarting you, frustrating, confusing, obvious, a train wreck, too close to perfect, not perfect enough, kind of ugly, boring, over before it began, disheartening, less than what is appears, too good to be true, spoiling the mood, awful, sickening, broken, hard to love, kind of off or just the worst?Are you trying to find a way to start feeling like you are winning while you constantly lose? Great!You Need Help is a series of training videos aiming to get your life seemingly back on track! Website http://www.k-lloyd.com/chips-in-the-night/this-holiday-season daily 0.75 2023-04-01 http://www.k-lloyd.com/chips-in-the-night/this-particular-holiday-season daily 0.75 2023-04-01 http://www.k-lloyd.com/windows daily 0.75 2024-02-28 https://images.squarespace-cdn.com/content/v1/53eff1fbe4b06637680259dc/1689428326743-ALNTU7WFEHOXNH081JG3/image-asset.jpeg Windows - Computer (Clear) https://images.squarespace-cdn.com/content/v1/53eff1fbe4b06637680259dc/1632238676020-A66Y11H1EI7JFLOBN46N/IMG_7252.JPG Windows - Window (Copy) Templates for Public Art: Volume 3 Limited Time Engagement October 2020 https://images.squarespace-cdn.com/content/v1/53eff1fbe4b06637680259dc/1468202242652-H7HTYEVZCW7KSLV95VKX/WebsiteIMage.jpg Windows - Neighborhood Bars (6) (Copy) 2016 Vinyl Carus Gallery, Cleveland, OH https://images.squarespace-cdn.com/content/v1/53eff1fbe4b06637680259dc/1446320821916-8JPLH7OXPGJV9X3FOT7N/image-asset.jpeg Windows - New York Times Cosmopolitan (Copy) 2015 Vinyl h. 12' x w. 15'5" Carrie Secrist Gallery, Chicago, IL https://images.squarespace-cdn.com/content/v1/53eff1fbe4b06637680259dc/1425489218756-KXO37NFC2STT2A2ZIUGE/image-asset.jpeg Windows - Accept the CHALLENGE of a mighty land. 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